[Mickey] Previously on Shelter...
Shira, please don't go away again.
I'm not a homewrecker.
Buck found out I bought my first 500,000 followers.
He said he would expose me if I didn't get some dirt on you.
I never want to talk to you again.
So many dead in my life. So why is Brad haunting me?
[Ema] Mickey!
You and Mickey staked out that club, right?
[Rachel] So we have the blueprints.
We have the address, and I have a gun.
[Ema] So we're going to do this.
[grunts]
[Candy] The guys here-- they got your friend.
- They have Spoon. - How do we help him?
I'll take care of him, I promise.
You guys focus on Ashley.
[gunshot]
[Candy] Spoon?
Candy.
[grunting with effort]
Ashley!
Let go of her, you fucking creep!
- Mickey? - You saved Ashley.
Your father also rescued children,
including Luther.
[groans]
[Mickey] Open this door!
Open up! [pounding on door]
[coughing]
[pounding on door]
Open this up! Open the door!
[pounding continues]
[coughing]
[dramatic music]
♪ ♪
[coughing]
♪ ♪
Leave me.
- Leave me. - [Mickey] No.
- Save yourself. - No!
- Go. - I'm not leaving you.
[coughing]
♪ ♪
[glass breaking]
[coughing]
♪ ♪
[glass breaking]
[Mickey coughing]
♪ ♪
[wood creaking, cracking]
♪ ♪
[coughing]
♪ ♪
[coughs]
♪ ♪
[coughing]
♪ ♪
[indistinct chatter over radio]
[Mickey] Have they found any bodies yet?
No.
[chatter continues]
[Mickey] What about Luther? Any sign of him?
No.
This fucking lady.
And we're sure Bat Lady didn't start the fire herself?
Yeah, I'm pretty sure. She was too busy being stabbed.
Maybe she got out, too, somehow.
Not possible. That fire was everywhere.
I mean, I couldn't even get to her.
You did what you could.
She was going to tell me something about my dad.
Tell you what?
- [cell phone chimes] - [Mickey] I don't know.
- And I never will, will I? - [cell phone chimes]
'Cause she's gone.
- It's all my fault. - Mickey, just stop it.
♪ ♪
I-I'm sorry, but I got to go.
Troy's mom is freaking out, texting me,
asking where Troy is.
I'll--I'll give you updates, okay?
Okay.
♪ ♪
Bye.
- Okay, so, uh... - [door opens]
- ...I guess we should all... - [door closes]
...head home now.
She was probably looking for me, right?
Yeah, she was.
She texted me, but I told her you were fine
and we were just watching all of the Twilights.
Can we actually soon, though? [chuckles]
♪ ♪
So I guess we all just go home now.
♪ ♪
Yeah.
Home.
[hip-hop music thumping]
♪ ♪
[indistinct chatter]
[Whitney] Oh, my God. Rachel!
Hi! You made it!
Yeah. Do you know where Troy is?
Yeah, I think over, like, there.
Okay.
Wait, wait, wait, wait.
You're friends with Ema, right?
Uh, yeah.
Does she hate me, for the thing with Buck and her mom?
Wait, you're the one who told Buck?
She does hate me. Okay, fuck.
- Can you talk to her for me? - Uh, no.
I'm not getting in the middle of your shit.
Okay, wait, wait, wait, wait, wait.
I think I love her.
That's how you treat someone you love?
Whitney, you fucked up.
Just leave her alone.
She's way too good for you, anyway.
Want this? I'm gonna fuck you up, bro.
Let's go. All-in.
- Mm. - [people shouting]
♪ ♪
Troy.
Hey! Ray!
Busted!
Ew. Ew. Stop. Where's your shirt?
What, this shirt? Oh, I forgot.
[all howling]
Fucking kill me, bro.
Your mom keeps texting me. She's really worried about you.
Fuck that ho.
What's wrong with you?
Come on.
Whoo! Fuck it up.
Mm!
Babe, babe, seriously, tell me what's wrong.
You hate drinking.
No, now I like it. It's my milky.
Okay, it's me. It's me.
Just tell me what's going on, please.
- Honk, honk! - Okay.
All right. I'm going.
It was a compliment!
- Hey! - What?
You're gonna break up with me, aren't you?
No! We'll talk about it when you're sober.
No. Fuck that. I'm done.
We're done.
[indistinct chatter]
[slams table]
[♪ Haiku Hands & Ribongia: "Bye Bye (Mixed)]
♪ ♪
♪ See you later ♪
♪ ♪
♪ Bye-bye ♪
♪ ♪
♪ Alligator ♪
♪ ♪
♪ Don't cry ♪♪
♪ ♪
[soft music]
♪ ♪
[dramatic music]
♪ ♪
[Ema] Maybe she got out, too, somehow.
Oh, my God.
Damn.
[sirens wailing]
[Mickey] Thanks for meeting me here.
[wailing stops]
It's where we became besties.
Minus Rachel--that happened in Ema's Lamborghini.
Aw, I'm honored to be a bestie.
It's also where Ema and I had our first kiss.
It's probably appropriate to burn it to the ground, then.
You guys kissed?
Why are we here, again?
I need to show you guys something.
♪ ♪
This is the entrance to the tunnels.
[Ema] Holy shit.
It's how they would get in and out--
uh, Bat Lady, Dylan, supplies.
It's why no one would ever see her enter or leave.
They would pull a car
into the garage, close the door, and, uh...
Create the myth of the scary Bat Lady.
Exactly.
That's so extra.
Wait! What if Luther's down there?
♪ ♪
Ooh, that reminds me.
I forgot to give you guys my present.
So I get these for my cheer girlies.
It gets dark by, like, four at the end of the season.
You can pick your color.
Uh, thanks, Rachel,
but we definitely already have phones.
Uh, yeah. Hit that little trigger thing at the bottom.
- [electricity crackles] - Oh, fuck.
- What the fuck? - 60-million-volt stun guns.
- Are these legal? - Duh.
In, like, Nevada or something.
Okay, so not to do that thing
where I'm like, "This is super dangerous,
and I don't want anyone to get hurt,"
but I just want to get it out there that I...
don't want anyone to get hurt.
Ready?
[ominous music]
♪ ♪
There should be a switch somewhere.
There were lights before.
♪ ♪
Ugh, guys.
Oh, I really, really wish Ashley let me keep her gun.
♪ ♪
Bat Lady must have gotten out.
[Ema] Or somebody took her out.
♪ ♪
[lights buzzing]
Guys.
There's something down there.
♪ ♪
[projector clicking]
♪ ♪
[Rachel] Hey. Whoa.
♪ ♪
[Spoon] Somebody was down here recently.
♪ ♪
[switch clicks]
♪ ♪
There's film in here.
♪ ♪
[switch clicks]
♪ ♪
They're just labeled with dates.
♪ ♪
[Spoon] What are these?
♪ ♪
Hold on.
[Ema] What is this footage of?
[Rachel] This is creepy.
♪ ♪
I do not like this at all.
Holy shit, that's Luther.
[Rachel] He's bleeding.
[person] Our doctor is coming in
to take a look at your face.
Don't touch me!
We want to go home, now!
[person] We are not going to let you or your brother
or any of you get hurt ever again.
Why would I believe you? This is his fault!
[teen] There was a nail on the inside of the window sill.
[person] I understand.
I know how scary this must be for you.
But you need to know that you are safe now, all of you.
[sirens wailing]
- [teen] Someone's coming. - [person] It's the police.
I will stall them.
You must get them into the soundproof shelter,
- immediately. - [teen] Everyone, now.
Hurry, hurry! Come on. Come on.
[Luther] We aren't going anywhere.
[teen] Everyone, hurry.
Come on! Come on.
[suspenseful music]
♪ ♪
I'm moving!
[teen] Come on!
♪ ♪
Oh, my God.
What? What is it?
That's my dad.
♪ ♪
[cell phone chimes, vibrates]
[Mickey] It's official.
I can't play today.
The doctor won't clear me.
Of course they won't.
You were in a coma, like, 12 hours ago.
[cell phone chiming, vibrating]
Everything okay?
Whitney posted something wild on uDOu, apparently.
Just the facts. I fucked up, big-time.
I sold my soul
to keep what I'm about to tell you all a secret.
So, when I first got on here, I bought followers,
like, a shit ton,
with money that I stole from my brother.
He found out and threatened to tell everyone
unless I helped him do something to a girl
that I really care about,
a girl that I still really, really care about.
And now she wants nothing to do with me,
which is so right by her.
I haven't really been a good person.
[sighs] Also, um, since we're just putting it all out there,
I hooked up with my brother's best friend,
like, a minute after he broke up with his ex, so, yeah.
Okay, bye.
Oh, my God, Rachel, does she mean Troy?
Uh...
I guess.
You guys broke up?
Kind of. Kind of.
But, yeah.
You know what? Yeah, we did break up.
Rachel, I'm sorry.
It's fine. It's fine.
Well, no, it's not.
But I'll be fine.
How are you? Are you okay?
Yeah. I'm fine.
I mean, Troy-- what the fuck was he thinking?
I don't know.
So stupid.
- So stupid. - [cell phone chimes, vibrates]
[indistinct chatter]
[Rachel] Yeah, a long fucking time.
[conversation continues indistinctly]
♪ ♪
[Whitney] I hooked up with my brother's best friend,
like, a minute after he broke up with his ex.
♪ ♪
Dude, my sister?
- Sorry, bro. - Hmm.
I was basically blacked.
Yeah, it doesn't really matter.
It's still weird.
That's my... that's my twin sister.
It's never gonna happen again, seriously.
Actually, I-I don't want to talk about it
or think about it.
So let's, uh...
yeah, let's focus on the game, cap.
All right?
♪ ♪
[vehicle door opens]
How'd you get my number, anyway?
She's waiting.
♪ ♪
Sorry about all the Whitney stuff.
Oh, I don't... I don't really care.
I mean, I feel worse for Rachel.
She's been with Troy for, like, years, you know?
Time is an unfair way to qualify a connection.
Spoon.
How are you doing with the Candy thing?
Um...
I don't know.
♪ ♪
She was really sweet, and she was really kind.
She had a mom.
And I can't even tell her mom what happened.
Like, I can't tell anyone what happened.
Nobody knows, and...
nobody cares.
And nothing has changed, and I just...I can't...
I don't...I don't under...
Like, how can nothing have changed?
♪ ♪
But she saved my life, and she deserved her own,
and then she just didn't get it.
And I don't even know what happened to her body.
What if I left her too early, and...
the tide took her away?
What if she's just floating?
What if she's lonely?
And she saved my life.
And I'm happy it wasn't me.
I'm happy I didn't die. I am.
I'm fucking happy.
[somber music]
[door opens, students cheering]
♪ ♪
[cheering continues]
We got to go to the game.
♪ Straight to the top, never going down ♪
♪ Don't wait for the drop ♪
♪ Never stand still, that's the motto, yeah ♪
♪ Brand-new Benz for the auto, whoa ♪
♪ Foot to the ground, full throttle ♪
♪ Big energy for the night like Latto, damn ♪
♪ Y'all talk lots, never did squat ♪
♪ Life like a Seinfeld plot, mm ♪
♪ Vault full of songs, all of them bombs ♪
♪ Something like a minefield got, boom ♪
♪ Get it, get it, tickets runnin' out quick ♪
♪ Bet it, bet it, never gettin' outbid ♪
♪ Said it, said it, never had to shout it ♪
♪ They said I couldn't ever do it, okay, how's this? ♪
♪ Fit a week worth of work in a minute ♪
♪ Machine well oiled, you know how I stay efficient ♪
♪ To-do list written, I do this different ♪
♪ Hold up, wait a minute, I ain't finished ♪
♪ Flow's the same, the same, the same, the same now ♪
♪ Paved a way, the snakes and fakes are chase out ♪
♪ Back to back to back, I change the pace now ♪
♪ Had to stack the cash until the bank's out ♪
♪ Straight to the top ♪
♪ Never going down, don't wait for the drop ♪
♪ Never stand still, that's the motto, yeah ♪
♪ Brand-new Benz for the auto, whoa ♪
♪ Foot to the ground, full throttle ♪
♪ Big energy for the night like Latto, damn ♪
♪ Foot to the ground, full throttle ♪
♪ Big energy for the night like Latto, damn ♪
♪ Y'all talk lots... ♪
- [Spoon] Oh, boy - You were almost late.
Shut up.
♪ Vault full of songs, all of them bombs ♪
♪ Something like a minefield got, boom ♪♪
[upbeat music]
- Let's go! - [all shouting]
♪ ♪
[Spoon] Attention, attention.
And welcome to your season opener
between your beloved Kasselton Camels...
Ah-whoo-ah!
...and our archrivals,
the top-ranked Westbridge Westies.
Bark, bark, boo.
Now, Jim, with Troy Taylor and most of the starters
returning for this year, I'd say people are expecting
big things from this group of rascals.
[Jim] That's right, Arthur.
These Camels are sure to hump their way
straight to the finals.
But can they secure this first W
without their new underclassmen sensation, Mickey Bolitar,
of Camel basketball royalty?
[Spoon] Jim, I don't know. I don't know.
And speaking of gyms, and this is actually a funny segue,
have you ever thought about how everyone in this gym
is going to die one day?
I can't stop thinking about that.
Sure, um, if you mean gonna die
for the thrill of game day!
[all cheering]
[buzzer sounds, whistle blows]
[Spoon] And Taylor wins the tip-off.
He sends the ball to Buckley Renna.
That's his best friend and twin brother
to Kasselton's scammiest thot, that would be Whitney Renna...
you can quote me on that...
who hooked up with Taylor last night.
Did you hear about that? Are you keeping up with this, Jim?
Oh, yeah, I... [clears throat] I'm keeping up.
Juicy.
[cheerleaders] Camels!
- Camels! - [rhythmic clapping]
- [all] Camels! - [rhythmic clapping]
[cheerleaders] Camels!
[Spoon] And the Westies make a steal.
I guess that's what happens, Troy,
when you hook up with your best friend's sister.
This, I can say, is a stupid beginning to a stupid game.
Someone is spicy today.
[cheerleaders] Defense!
[dramatic music]
♪ ♪
[Spoon] Oh, what a steal.
Buck sends a fantastic pass to Troy.
Now, anyone with an iota of talent
could score on this one.
What the hump? Troy blew it.
Brutal!
Well, I guess the rumors are true.
Troy really is nothing without his ex, Rachel Caldwell.
[player] Push it! Push it!
Time-out! Time-out! Time-out!
[whistle blows, buzzer sounds]
[Coach Leslie] Hustle, hustle, hustle.
Come on, guys. Let's go.
All right, all right.
Troy, I need you here right now, all right?
- I need you here. You good? - Yeah.
[Coach Leslie] Everyone, I need everyone in here.
110%, you got it?
That is time-out,
with the Westies absolutely crushing our beloved Camels
in the first half-- 36 to a pathetic ten points.
Now's when we wonder, if Mickey Bolitar were here,
would things be going different?
I really don't know, but, also, I don't see how any of this
could be going any worse.
♪ ♪
I'm sorry you're missing the big game.
It doesn't seem all that important to me right now.
♪ ♪
What?
It's okay to care.
We don't save lives so they can't be enjoyed fully.
You need joy, too, Mickey.
♪ ♪
The moment we've really all been waiting for,
no offense, fellas, the Yasselton Camel cheer squad,
led by captain Rachel Caldwell!
Yeah!
♪ Uh-huh, this my shit ♪
♪ All the girls, stomp your feet like this ♪
♪ A few times I've been around that track ♪
♪ So it's not just gonna happen... ♪
Oh, they're doing Hollaback Girl.
Whoo! It's giving.
♪ I ain't no hollaback girl ♪
♪ A few times I've been around that track ♪
♪ So it's not just gonna happen like that ♪
♪ 'Cause I ain't no hollaback girl ♪
♪ I ain't no hollaback girl ♪
♪ Ooh, this my shit, this my shit ♪
♪ So that's right, dude, meet me at the bleachers ♪
♪ No principals, no student-teachers ♪
♪ Both of us want to be the winner ♪
♪ But there can only be one ♪
♪ So I'm gonna fight, gonna give it my all ♪
♪ Gonna make you fall, gonna sock it to you ♪
♪ That's right, I'm the last one standing ♪
♪ Another one bites the dust ♪
♪ A few times I've been around that track ♪
♪ So it's not just gonna happen like that ♪
♪ 'Cause I ain't no hollaback girl ♪
♪ I ain't no hollaback girl ♪
♪ Ooh, this my shit, this my shit ♪
[both] ♪ Ooh, this my shit, that's my shit ♪
♪ Ooh, this my shit, this my shit ♪
♪ Ooh, this my shit ♪
♪ Let me hear you say this shit is bananas ♪
- ♪ B-A-N-A-N-A-S ♪ - Whoo!
♪ This shit is bananas ♪
♪ B-A-N-A-N-A-S ♪
♪ This shit is bananas ♪
♪ B-A-N-A-N-A-S ♪
♪ This shit is bananas ♪
♪ B-A-N-A-N-A-S ♪
♪ A few times I've been around that track ♪
♪ So it's not just gonna happen like that ♪
♪ 'Cause I ain't no hollaback girl ♪
♪ I ain't no hollaback girl ♪♪
[cheers and applause]
[Jim] Tens. Tens across the board.
[cheers and applause continue]
An incredible, incredible performance.
Slayful.
I want to see those basketball boys do that.
- Champions are made where? - [all] On the court!
All right, let's see it! One, two, three...
- [all] Champions! - [Coach Leslie] Let's go!
- [whistle blows] - Dude, what's going on, man?
- Mind your own business. - Don't lock me out.
Not right now.
[rhythmic clapping, crowd cheering]
[dramatic music]
♪ ♪
[Buck] Bro, where are you going?
[cheering continues]
[door opens]
[exhales sharply]
[door opens]
What's going on with you?
You're totally out of control.
I'm out of control?
Are you fucking kidding me?
Troy, what?
I know.
What are you talking about?
I know about you and Bolitar's aunt.
I don't know what...
We don't lie in this family?
I saw you two at Shira's house.
- [door opens] - Troy...
How could you?
[Chief Taylor] What the hell is going on?
I asked you a question, son.
♪ ♪
I have something I need to tell you.
[door closes]
[Spoon] Welcome back to the second half.
Your Camels have got 23,
and those damn Westies have got 53.
Come on, Camels!
[hip-hop music]
♪ ♪
[Spoon] Oh, there is something joyful
about watching people you've gone to school with for so long
do so terribly at the thing they really love most.
[Jim] The other shoe has dropped,
and it's not us getting humiliated anymore, assholes!
♪ ♪
- [indistinct chatter] - Let's go!
♪ ♪
[buzzer sounds]
[Spoon] And the Westies win, 71-33.
Now, I don't know about you, but I don't care.
[Jim] Looks like these Camels
had a bit too much Camel-mile tea,
because that... [blows raspberry]
...was a flop.
I'll say this was a shit show.
I will say that. It was chaotic.
It was abysmal.
I really...I don't understand what we're doing here.
I don't understand the point of us being here.
I'm literally suspended, and nobody gives a shit.
People care about this, but nobody gives a shit.
I think we're all having an off day here today, folks.
Uh, let chaos reign.
♪ ♪
Hey.
You were way funnier than the game.
It's all the existential dread.
[Rachel] Ema! Spoon!
Hey.
That was a shit show, wasn't it?
- [chuckles] - Rachel, that dance--
I think it might have changed my life.
You're very sweet, Spoon.
- Can you teach me how to... - Hmm?
- Um, that one? - Oh, yeah, that one.
- Feels very me. - Use the shoulders.
- Yeah. - [giggles] You're everything.
Why weren't we friends before, again?
Well, I wore a cape to school till last year.
Mm.
[Shira] Uh, hi, Mickey's friends.
I got him a cake, a basketball cake before...
well, you know, before we all didn't know
he wasn't gonna play,
and I just think that maybe he would still want some...cake.
And I was just wondering if...
Would all of you come over for a party for him tonight?
- [Ema and Spoon] Yeah, sure. - [Rachel] Yeah, absolutely.
Okay. Uh, great.
What... Say around seven?
- [Rachel] Seven's cool. Great. - [Ema] Seven's fine.
Uh, cool. Thank you. Thank you so much.
Um, and-and there will be sodas there.
And, uh, Rachel, your dance was amazing.
- Oh, thank you. - [Shira] All right.
Well, I'll see you later.
- [Rachel] Bye. - [Spoon] Bye.
I was gonna go to Agent's,
but I guess I can probably just go tomorrow.
- Agent? - My tattoo artist.
- [Rachel] Hmm. - I want this off, for good.
Like, I'm done.
Oh, yeah, the...the butterfly. Why?
Because of what they're doing.
- It's not right. - They're rescuing kids.
We...we are rescuing kids.
Then what the fuck was that film in the basement, then?
I can't get it out of my head, Rachel.
That was... that was really messed up.
But think about Ashley. Think about Dylan.
Abeona saved them.
[Spoon] And Candy?
What about Candy?
Why did we save Ashley but not Candy?
- I'm sorry. - Oh, no, it's okay.
I'm not...it's not... I just...
I just...I'm asking.
Actually, I-I think I'll... I'll meet you guys at Mickey's.
- Okay? - No.
- Spoon, where are you going? - No, it's fine.
I'll just see you later, all right?
[Rachel] I'm sorry, Spoon.
♪ ...plastic sunrise, you ♪
♪ For you and me for me, yeah ♪
[tattoo needle buzzing]
♪ Ooh, ooh-ooh ♪
[♪ Dehd: "Egg Shells"]
♪ Ooh, ooh-ooh ♪
♪ ♪
♪ Walk along, walk along eggshells ♪
♪ I'm done, I'm done ♪
♪ Yeah ♪
♪ Better off, better off ♪♪
You're alive.
It takes a lot to kill me.
They should have figured that out by now.
Mickey, you saved me.
I dropped you.
You got me out of that burning room.
Dylan was able to do the rest.
Through the tunnels.
Yes.
Speaking of which, I believe you took
something which belongs to me.
My father is on that film. It's mine, too.
But you need to know what happens at the end.
You need to know what happens
after the film stopped.
We did an emergency evacuation
of six boys in a foster home.
Luther, he had suffered enough,
but now his abuser was starting to focus his attention
on Luther's little brother, Ricky.
Luther did not want to go.
And in the rush, your father pushed the boys
through a window,
and a sharp nail caught Luther on his cheek
and ripped his face.
He screamed.
There was a big commotion,
and, of course, somebody called the police.
I went upstairs to deal with them,
but your father had already hidden the boys
in a shelter room in the tunnels.
[Brad] Come on.
[dramatic music]
♪ ♪
[Lizzy Sobek] It had food rations.
It had a sink, toilet, beds,
but, most importantly, it was completely soundproof.
The police could have walked right past that door
and never even known that anyone was inside.
Your father was in charge of this operation.
- How old was he? - Your father?
He was the same age as you are now.
♪ ♪
What happened next?
When we locked those boys
in that shelter room to save them,
we did not realize that Ricky had asthma.
[breathing heavily, wheezing]
And...
he had an attack,
and, of course, he did not have his inhaler.
[wheezing]
Come on. Come on.
Please, somebody help him!
Somebody help!
Help him! He can't breathe!
Somebody help!
♪ ♪
[Lizzy Sobek] And by the time we got rid of the police
and we unlocked that door,
Ricky...
was gone.
♪ ♪
After that, we welded the shelter door shut,
and we decided to put the rescued children
in other temporary situations instead.
- Like you did with Ashley. - Exactly.
We got Ashley the Kent identification,
and we planned to hide her in plain sight
until we could find her a permanent home.
But Luther-- he was inconsolable,
and he blamed your father for all of it.
And he wanted revenge.
So he bided his time,
and he waited for your father to return
to the United States.
He wanted your father to suffer...
the same way Ricky had.
How did he pull it off?
[Lizzy Sobek] He stole the ambulance,
and he got someone else who hates Abeona
to drive the truck.
♪ ♪
This is why I showed you that Butcher photograph.
Not only to gauge your reaction
but, more importantly, to warn you.
That he was my butcher.
Yes.
Luther is your butcher.
Why did you tell me my father's still alive?
I have lost so many people in my life.
I have lost everybody I have ever loved.
And my curse is that I survive.
But dead is dead.
There is no reprieve.
None of my loved ones ever visited me
from the great beyond.
I never saw their ghosts,
and I never heard their voices...
...except for your father.
I hear him.
I hear his voice in the night.
He calls to me.
And then all of a sudden, you show up in my life?
That is no coincidence, Mickey.
That is fate.
So he's really dead, isn't he?
♪ ♪
I'm afraid so.
But you, you are alive.
And Abeona, it existed long before I was born,
and it will go on and survive long after I am gone.
But the torch was passed to me.
And one day the torch will be passed
to one of you.
One of us?
Forgive me, but I must go.
Luther, he is not done with us yet.
Will I ever see you again?
Even I cannot answer that question.
♪ It's cold before dark ♪
♪ With five-month skin ♪
♪ It's just what I like ♪
♪ But doesn't fit in ♪
♪ Oh, I guess it's like me ♪
♪ Weather like this ♪
♪ Your cup of tea... ♪
- [chuckles] - [door opens, closes]
Oh.
♪ Foreign ♪
♪ But friendly... ♪
Mickey?
He's gone.
[somber music]
- He's really gone. - Oh.
I wanted so much for it not to be true, but...
Oh, I know.
Me too.
♪ ♪
I miss him so much.
Oh, I am so...
[sighs]
He would have been so damn proud of you, Mickey.
♪ ♪
What am I gonna do without him?
We'll find a way.
I promise.
[vehicle approaching, horn honking]
[car door opens]
♪ ♪
Well, um...
♪ ♪
...life goes on, whether you like it or not.
♪ ♪
You okay?
♪ ♪
Yeah.
Okay.
♪ ♪
[sighs]
[indistinct chatter]
- Oh, you did? - Yeah.
There you go.
- [Spoon] Oh, my God. - [laughter]
[upbeat rock music]
♪ ♪
[all] One, two, three.
Come on.
[laughter]
♪ ♪
[indistinct chatter, laughter]
[Shira] ♪ Is bananas, B-A-N-A-N-A-S ♪
[Rachel] Wow, look at her hips move when she's singing that.
God, she loves that song.
Gwen Stefani, the idol of a generation.
Hey, where were you during the game today?
Tomorrow, okay?
Tonight, uh, let's just forget all that
and just be...this.
Of course.
Thanks.
Hey, can you get me a soda?
Yeah.
Go, Camels. Think fast.
Ha.
Got, uh, grapefruit and lime.
Lime, please.
[Shira singing indistinctly in the distance]
♪ ♪
- What's that sound? - [Spoon] Teachers.
This pipe that runs straight to the sink
in the teachers' lounge.
I hear the craziest stuff.
[dramatic music]
[Lizzy Sobek] I hear his voice in the night.
He calls to me.
He wanted your father to suffer,
the same way Ricky had.
[siren wailing]
♪ ♪
Hey, Mickey.
Mickey. Mickey.
- [Rachel] Uh, where you going? - [door opens]
- Hey, wait! - [Ema] Just follow him.
♪ ♪
Hello?
- [cell phone ringing] - Um...
Hi, Hannah.
Cousin Rob came through.
What do you mean?
They dug up Brad's casket.
[stammers] Wait, what?
It's at the morgue now.
They can wait to open it in the morning.
No. No, I'm...I'm on my way right now.
[dramatic music]
♪ ♪
[Mickey] Bat Lady heard my dad's voice.
What are you talking about?
That's why she told he he was still alive.
She said she never hears the voices of the dead,
but she heard his.
And it's true.
Because see? Even down here, even in a soundproof room,
there's pipes, pipes that carry sound,
like when we hear the teachers in the boiler room.
See, killing my dad for revenge,
that was too easy for Luther.
But grabbing him and making him suffer like Ricky...
♪ ♪
This is the room that Ricky died in.
[Spoon] Holy shit.
♪ ♪
This welding looks new.
♪ ♪
Dad?
Hello?
♪ ♪
Dad!
Dad! Dad!
♪ ♪
Holy shit.
♪ ♪
[door creaking]
♪ ♪
Dad.
♪ ♪
Mickey.