[mellow music]
♪ ♪ ♪ ♪ ♪ ♪
- Glad you brought your swim trunks. - Glad you brought your swim trunks.
- Yeah. It's very refreshing. - Yeah. It's very refreshing.
Water really takes it out of you, though.
[exhales] [exhales]
♪ ♪ ♪ ♪ ♪ ♪
You sure, uh... [clears throat]
Byron's not hiding around a corner somewhere? Byron's not hiding around a corner somewhere?
- I told you, you don't need to worry
about Byron anymore. about Byron anymore.
- I've heard that before.
- Well, that time I lied.
I used to feel very comfortable lying. I used to feel very comfortable lying.
- Yeah, yeah. - Yeah, yeah.
I've, uh, noticed that on occasion.
What do you, uh, attribute that to?
- I guess I didn't want to feel the truth. - I guess I didn't want to feel the truth.
Maybe I didn't think I could stand feeling it. Maybe I didn't think I could stand feeling it.
But now I know I can stand it. But now I know I can stand it.
- You okay?
- Yeah.
- Don't take this the-- the wrong way. - Don't take this the-- the wrong way.
I--I'm not happy Byron shoved you I--I'm not happy Byron shoved you
into a computer or whatever, into a computer or whatever,
but, uh, since you've been back,
you seem...better. you seem...better.
[harp trills]
At peace or something. At peace or something.
It's not 'cause you killed him, is it? It's not 'cause you killed him, is it?
Actually, don't--don't answer. Actually, don't--don't answer.
If I don't know, it protects us both.
♪ ♪ ♪ ♪
[discordant note]
[unsettling dreamy music] [unsettling dreamy music]
♪ ♪ ♪ ♪ ♪ ♪
[dramatic music]
The hell is this? The hell is this?
Well, you really can't buy taste, can you? Well, you really can't buy taste, can you?
[sighs] - Dad?
I'm sorry for tricking you
and taking you back here to the Hub. and taking you back here to the Hub.
Can you forgive me? Can you forgive me?
- Are you kidding me? I--of course. - Are you kidding me? I--of course.
I already did. I already did.
- I love you, Dad.
- Yeah. Me too. - Yeah. Me too.
♪ ♪ ♪ ♪
[banging on window] [banging on window]
- Dad!
[banging] [banging]
That's not me!
Dad! Dad!
[upbeat electronic music] [upbeat electronic music]
♪ ♪ ♪ ♪
- [coughing]
- ♪ Standing there ♪
- What's all this? - Hi. - What's all this? - Hi.
You must have been tired. You were out for a while. You must have been tired. You were out for a while.
- What, uh--
what, are we having company or something? what, are we having company or something?
- No. Just us. - No. Just us.
I thought I would make it nice.
Here. Here.
See if you recognize this. See if you recognize this.
- [slurps]
[soft music playing over radio] [soft music playing over radio]
Is that, uh... - Mom's recipe. Is that, uh... - Mom's recipe.
Yup.
- I thought she never wrote it down though. - I thought she never wrote it down though.
I remember we--we looked.
We looked all through the note cards and cookbooks. We looked all through the note cards and cookbooks.
- I used the Mom phone that Byron made for me - I used the Mom phone that Byron made for me
to call her up and ask her about it. to call her up and ask her about it.
- I didn't think I'd ever taste that again.
- ♪ I wonder why ♪ - ♪ I wonder why ♪
♪ ♪ ♪ ♪
- That is so good. - That is so good.
What? - What'd you do to the hair?
I never saw you wear your hair like that. I never saw you wear your hair like that.
- ♪ I look for you ♪
- I don't know. - I don't know.
Just trying something new, I guess.
- Um, okay. I'm gonna wash up. - Um, okay. I'm gonna wash up.
[Aldous Harding's "The Barrel"] [Aldous Harding's "The Barrel"]
♪ ♪
[sighs] So good. [sighs] So good.
- Mm-hmm.
- To Mom's sauce. Hmm? - To Mom's sauce. Hmm?
- To Mom's sauce.
- What? - What?
- [giggles] - Come on.
- Are you letting me win? - I wish. - Are you letting me win? - I wish.
Maybe you're cheating. [chuckles]
All right, one more. One more. All right, one more. One more.
Double or nothing.
- ♪ I never knew enough ♪ - ♪ I never knew enough ♪
♪ What that do to me? ♪ ♪ What that do to me? ♪
♪ ♪
- Although, it's your sauce now. - Although, it's your sauce now.
- That's right.
- ♪ I know you have the dove ♪ - ♪ I know you have the dove ♪
♪ I'm not getting wet ♪ ♪ I'm not getting wet ♪
♪ Barrel, barrel ♪
♪ Barrel, the barrel ♪ ♪ Barrel, the barrel ♪
♪ Barrel, barrel ♪ ♪ Barrel, barrel ♪
- [chuckles] - [chuckles]
Good morning.
Thank you.
[gasps] [gasps]
[chuckles] - [sighs]
[water splashes] [water splashes]
I can't believe how good this all feels.
- Yeah. - Yeah.
It was a good idea to come out here.
It is so much better. It is so much better.
- Thank you for being understanding
about me spending so much time with Dad. about me spending so much time with Dad.
- Yes.
- Soon we'll figure out how to reintroduce you two. - Soon we'll figure out how to reintroduce you two.
We can say you underwent some kind of
psychological rehabilitation. psychological rehabilitation.
Don't worry. Don't worry.
He's gonna like you. He's gonna like you.
- He doesn't suspect anything, does he? - He doesn't suspect anything, does he?
- No.
- No. - No.
- I think he's happy. - I think he's happy.
I've been going through Hazel's memories I've been going through Hazel's memories
from before her chip got uploaded. from before her chip got uploaded.
She and Herbert were always fighting. She and Herbert were always fighting.
We're not anymore. We're not anymore.
[bright electronic music]
- [gasps] Oh, I was thinking. - [gasps] Oh, I was thinking.
We should do some face time with the employees today-- We should do some face time with the employees today--
make an appearance, keep it up.
- That's a great idea. - Yes. - That's a great idea. - Yes.
Hello. Hello.
Sidney. Sidney.
- Mr. Gogol, do you have a moment? - Mr. Gogol, do you have a moment?
I'd like to discuss the results
from our latest trials. - Yes, I do.
[indistinct chatter]
- Jay.
- Huh. Hello, Mrs. Gogol.
How was--how was D.C.? How was--how was D.C.?
- Great. Thank you for asking.
Byron and I had a wonderful time. Byron and I had a wonderful time.
- What's going on? Does he know?
- What are you talking about? - What are you talking about?
- Yes, what are you talking about?
Hi, how are you today? - Um-- Hi, how are you today? - Um--
I--I--I'm well, Mr. Gogol. How are you? I--I--I'm well, Mr. Gogol. How are you?
- Good. - Good.
- Mm-hmm, good work. - Thank you. - Mm-hmm, good work. - Thank you.
- Goodbye. - Bye.
[foreboding music] [foreboding music]
- Yeah, I-- I need to go back in there.
Something doesn't feel right, especially with Hazel. Something doesn't feel right, especially with Hazel.
- We can't. They're back from D.C.
It's too dangerous. It's too dangerous.
- Yeah, but I go alone.
And you remember the tunnels we didn't get to the ends of? And you remember the tunnels we didn't get to the ends of?
Well, I have to see where they lead to.
- I'll echolocate every ten minutes - I'll echolocate every ten minutes
to keep tabs on you.
Make sure you don't get lost. Make sure you don't get lost.
- Okay, all right. Wish me luck.
[discordant music] [discordant music]
- I'm back. - I'm back.
- [retching] - [retching]
[vomit sloshing]
- Dad? - [coughing] - Dad? - [coughing]
Hey, you look really sharp. Hey, you look really sharp.
- Dad, what's going on?
- Oh, I think the-- - Oh, I think the--
stopping the treatments, it's--
it's catching up with me.
- Oh, I'll-- - Oh, I'll--
- Haven't been feeling so good.
- I'll call one of the doctors. - I'll call one of the doctors.
- No. No, no, no. no. Stay, stay. - No. No, no, no. no. Stay, stay.
Yeah, I want to talk to you.
[exhales] [exhales]
Sit.
[toilet flushes] [toilet flushes]
All right. All right.
This might be very difficult for you to understand,
but, um, I never intended but, um, I never intended
to get to this part of life. to get to this part of life. to get to this part of life.
But then--then, you know, you showed up
at my doorstep just out of the blue. at my doorstep just out of the blue.
And y--you really needed me. And y--you really needed me.
Yeah. Then you brought me here. Yeah. Then you brought me here.
So I told myself, So I told myself,
"Okay, change of plans. "Okay, change of plans.
I've gotta hang on." I've gotta hang on."
Yeah, but then--then-- then these last few days...
I mean, look at you. I mean, look at you.
Hmm? You seem good.
So now, I-- So now, I--
I think I can...
I can finally stop hanging on. I can finally stop hanging on. I can finally stop hanging on.
- But you're not taking your medications though.
- Oh.
- And you're not receiving your treatment. - And you're not receiving your treatment.
- Yeah, but Byron-- - So that will--
- Come on. Who knows what Byron's up to? - Come on. Who knows what Byron's up to?
Huh? Look what he did to you.
- But our time together is just getting started. - But our time together is just getting started.
- Yeah, I know. - Yeah, I know.
I know. [pats leg]
I mean, I mean,
it's supposed to be bittersweet.
I'm sorry, Hazel. I just... I'm sorry, Hazel. I just...
I want to go out when I'm on top, I want to go out when I'm on top,
not when I hit bottom.
Like Mom. Like Mom.
[melancholic music] [melancholic music]
♪ ♪
- I can't imagine anything worse than losing you. - I can't imagine anything worse than losing you.
Except... Except...
Forcing you to stay for me. Forcing you to stay for me.
- Thank you.
I want to do it I want to do it
just out under the open sky. just out under the open sky.
Yeah. The real sky.
No--no fake Hub ceiling. No--no fake Hub ceiling.
Do you know how to get out of here?
- How about one more camping trip together? - How about one more camping trip together?
- Yeah.
- Where are you going? - Water.
- No! Me first.
- Herringbone. - Yep. - Herringbone. - Yep.
[giggles]
[quirky music]
♪ ♪ ♪ ♪
- Herringbone, are there, um, - Herringbone, are there, um,
predators in this water like crocodiles?
- Crocodiles? [both yell] - Crocodiles? [both yell]
- Who the fuck are you? - Who the fuck are you?
- Can you get us out of here?
- You up for a swim?
♪ ♪ ♪ ♪
- Truck's all packed. - Truck's all packed.
Ready, Diane?
- Yeah, no. Uh, she's gonna stay. - Yeah, no. Uh, she's gonna stay.
- Really?
- Yeah. Yeah, yeah. - Yeah. Yeah, yeah.
She doesn't need to see me, um... She doesn't need to see me, um...
Okay, I--I-- I'll meet you out there. Okay, I--I-- I'll meet you out there.
- Okay.
[soft dramatic music] [soft dramatic music]
♪ ♪
- You remember the first day I got you? - You remember the first day I got you?
Huh?
I mean, I didn't know what to do with you. I mean, I didn't know what to do with you.
You were looking at me like, uh... You were looking at me like, uh...
"Now what?"
♪ ♪ ♪ ♪
[chuckles] But, uh, we-- [chuckles] But, uh, we--
we figured out what to do, right?
♪ ♪ ♪ ♪
Yeah. Yeah.
But I, uh... But I, uh...
I never anticipated I never anticipated
what you would mean to me, Diane.
I never... I never...
felt alone 'cause of you.
Never. Never.
So thank you. So thank you.
Thanks for, uh...
for putting up with me. for putting up with me.
♪ ♪ ♪ ♪ ♪ ♪
Yeah.
You're still as beautiful as the--the day I met you. You're still as beautiful as the--the day I met you.
- You're back! Where have you been?
Gosh. Were you scuba diving? Gosh. Were you scuba diving?
- I just need a little privacy, okay?
- Ja--Jasper, what are you doing? - Ja--Jasper, what are you doing?
Uncover me!
[frenzied music] [frenzied music]
♪ ♪ ♪ ♪
[hair dryer whirring]
- Before we go, I have to stop by home first. - Before we go, I have to stop by home first.
- What? No.
- No, I'm not leaving this place - No, I'm not leaving this place
without the Nama-sake. It's a one of a kind.
It's the only thing I have left from my wife.
Please! - Okay, okay. Please! - Okay, okay.
I need to get my research too.
And I've got to check in on Zelda. And I've got to check in on Zelda.
- Okay, we'll meet at her tank in 20 minutes?
- Okay, okay. Yeah, yeah, yeah. - Okay, okay. Yeah, yeah, yeah.
- Oh, shit. - Oh, shit.
Give me that.
Quiet.
- Why were Herringbone and Fiffany in here? - Why were Herringbone and Fiffany in here?
[hair dryer buzzing]
You can't just cover me up.
My eyes and ears don't work that way, Jasper. My eyes and ears don't work that way, Jasper.
- Okay. Sorry. - Okay. Sorry.
I'm sorry.
You said you're my plus one in here though, right? You said you're my plus one in here though, right?
You got me? Anything I need? You got me? Anything I need?
I need you to just trust me.
Okay? - I--I-- Okay? - I--I--
I don't know what to do.
My algorithm isn't equipped for this.
- I don't need you to do... anything. - I don't need you to do... anything.
Okay? Okay?
Please? Just--please? Please? Just--please?
[unsettling dramatic music] [unsettling dramatic music]
- Hello.
- I'm going for a drive. - I'm going for a drive.
- Sure thing, Mrs. Gogol.
- Actually, you can start calling me Ms. Green. - Actually, you can start calling me Ms. Green.
♪ ♪ ♪ ♪ ♪ ♪
- Stop!
Stop!
Stop! Stop!
[insects chirping] [insects chirping]
- Sir, you have your meeting with the bioengineers - Sir, you have your meeting with the bioengineers
in a few minutes.
- We hire smart people. - We hire smart people.
The best in the world, right?
- Well, of course.
- Yeah, they can handle it. - Yeah, they can handle it.
You want to look at the clouds? You want to look at the clouds?
- In the hammock with you?
- Yeah. Plenty of room. - Yeah. Plenty of room.
[both chuckle]
- [grunts]
[grunts] - Good?
[sighs] - [grunting]
- Truly relaxing. - Very serene.
- Yeah. - Yeah.
Where'd you grow up, Bennett? Where'd you grow up, Bennett?
- Well, when we step inside the Hub,
our pasts are considered irrelevant data. our pasts are considered irrelevant data.
- I did say that before. - I did say that before.
But I don't really believe it anymore. But I don't really believe it anymore.
[birds chirping] [birds chirping]
- I'm from Lancaster, Pennsylvania.
- Ah. - It's an Amish settlement. - Ah. - It's an Amish settlement.
- You're Amish? - You're Amish?
- Yeah. I mean, not anymore.
- I bet growing up without technology
really gives you a unique perspective really gives you a unique perspective
on the Hub. on the Hub.
[echoing percussive notes] [echoing percussive notes]
[discordant tone] Hmm.
I'm ready for you to get up now. I'm ready for you to get up now.
- Oh, of course. Sorry.
- [clears throat] - Thank you. - [clears throat] - Thank you.
- [grunting]
I really appreciate you. We're lucky to have you. I really appreciate you. We're lucky to have you.
- [grunts] - [grunts]
[discordant music]
[mellow instrumental music] [mellow instrumental music]
♪ ♪ ♪ ♪ ♪ ♪
[wind whooshing] [wind whooshing]
- What do you think? - What do you think?
- Wow. Look at that view.
Not a bad place to die.
- Are you still sure about this? - Are you still sure about this? - Are you still sure about this?
- Yeah. I'm sure. - Yeah. I'm sure.
- So how do you want to do this? - So how do you want to do this?
Do you want me to push you over the edge?
- [scoffs] Very funny. - [scoffs] Very funny.
Nah, just go get the chairs. Nah, just go get the chairs.
♪ ♪ ♪ ♪ ♪ ♪
- [sniffs] - [sniffs]
[device beeps] - Jasper.
What are you still doing here? What are you still doing here?
Oh, no.
Did Byron get to Fiffany?
- No, no. It's--it's all good. - No, no. It's--it's all good.
We're actually, uh, getting ready to leave. We're actually, uh, getting ready to leave.
Just wanted to say goodbye again.
For now.
- Promise me you'll make sure - Promise me you'll make sure
that Fiffany's okay when she gets out
into the real world.
She's been in the Hub for so long. She's been in the Hub for so long.
It'll be a lot to acclimate to normal life. It'll be a lot to acclimate to normal life.
She acts all tough, but she's not.
- I will. I will. - I will. I will.
And, um, by the way, I'm-- And, um, by the way, I'm--
I'm gonna get you-- gonna get you out too-- I'm gonna get you-- gonna get you out too--
let you experience that real ocean life. let you experience that real ocean life.
- I used to want that.
But honestly, what I want most now But honestly, what I want most now
can't be found in the ocean.
- Wh--what you mean? - Wh--what you mean?
- I wasn't going to say anything.
But since I'll never see you again, But since I'll never see you again,
why the fuck not?
I'm in love with you, Jasper. I'm in love with you, Jasper.
- I was--Zelda-- - I was--Zelda--
- Please, don't say anything.
It will hurt too much. It will hurt too much.
Just go.
[dramatic music]
[Zelda whistles] [Zelda whistles]
- Um, I'ma... - Um, I'ma...
I'ma-- I'ma give you two a moment. I'ma-- I'ma give you two a moment.
And if, uh, Herringbone's not here,
we should go find him. we should go find him.
[soft music]
[device beeps]
- [sighs deeply] Zelda.
[Zelda chirping] [Zelda chirping]
[discordant music] [discordant music]
- Oh. [doorknob rattles]
♪ ♪ ♪ ♪ ♪ ♪
[lock clicks]
[reverent music] [reverent music]
What the hell? What the hell?
Frickin' Bennett. Frickin' Bennett.
- Dr. Hau? Doc? - Dr. Hau? Doc?
Dr. Hau!
- Uh, she's not here. - Can you get her for me? - Uh, she's not here. - Can you get her for me?
- No, I said she's not here.
- Where is she? - Where is she?
- Look, I--
I'm not supposed to know this,
but I heard she lost it. but I heard she lost it.
She was saying weird stuff
about Byron and Hazel's bodies? about Byron and Hazel's bodies?
I don't know. I don't know.
She got put in one of the solitary rooms.
- Can you take me there? - Yes. - Can you take me there? - Yes.
[discordant music] [discordant music]
- Wow, Dr. Hau. - Wow, Dr. Hau.
- Bennett. Oh, thank God.
They took their bodies. - Who? They took their bodies. - Who?
- Their consciousnesses.
They used me to get into their bodies. They used me to get into their bodies.
That's not Hazel or Byron.
- I was thinking the same thing. - I was thinking the same thing.
- We need to stop them. We need to stop them-- - We need to stop them. We need to stop them--
from whatever they're about to do!
- Can you fix what happened? - Can you fix what happened?
- Yes. Yes, I can. Just get me out of here. - Yes. Yes, I can. Just get me out of here.
- No. No!
- [groans] - [groans]
- Are you okay?
- What have you done? - What have you done?
- Does that feel okay? - Does that feel okay?
- Yeah.
[can snaps open]
- What should I do with Diane? - What should I do with Diane?
- Oh, yeah. I talked about it with her.
And, um, we decided that she should go to Bennett. And, um, we decided that she should go to Bennett.
Yeah. I think he'll be good to her.
Plus, I can tell he's a virgin, so... Plus, I can tell he's a virgin, so...
she can teach him a couple things. she can teach him a couple things.
- What? - What?
- You know, I look at you and I--
I still see the little kid. I still see the little kid.
Yeah. Yeah.
You were really annoying.
- [snorts] I was annoying? - [snorts] I was annoying?
- Yeah. Always... - Yeah. Always...
Always with the, "Dad, I'm bored." Always with the, "Dad, I'm bored."
"Eh, Dad, what should I do?"
- I was bored. - I was bored.
I had nothing to do. I had nothing to do.
- I loved you so much that it hurt. - I loved you so much that it hurt.
Still does.
[exhales] [exhales]
[unsettling music]
- [groaning] - [groaning]
Ugh. Ugh, disgusting.
Ugh!
- Herringbone, we've been waiting for you.
What are you doing? - I couldn't find my book.
Bennett moved all my shit.
- Well, we can help you find it. - Well, we can help you find it.
- No, no, I got it.
But I got distracted by this. Here. But I got distracted by this. Here.
- Huh? Oh.
Wow.
- Can we go? - We can now. - Can we go? - We can now.
- Wait, "Namesake."
- It's pronounced "Name-sake." - It's pronounced "Name-sake."
- It's "The Namesake" by Jhumpa Lahiri.
This is what you came back for? This is what you came back for?
That's not an ancient text. That's not an ancient text.
That's a very popular book.
- The--"The Namesake." - Huh. - The--"The Namesake." - Huh.
- They made a movie of it. It was pretty good.
- Yeah, "The Namesake." - Now that you're both - Yeah, "The Namesake." - Now that you're both
just saying "namesake," that's all I can see. just saying "namesake," that's all I can see.
[sighs] Why did Priya leave this for me?
- Lyle, it's an Indian immigrant story - Lyle, it's an Indian immigrant story
about the struggles of assimilation.
She probably gave it to you so that you could understand She probably gave it to you so that you could understand
what she was feeling.
You did say that all her friends and family You did say that all her friends and family
were in India.
- Main character's name is Gogol. - Main character's name is Gogol.
I thought she was telling me to work here. I thought she was telling me to work here.
- Hey!
- There he is, the little rat.
- I'll smother you with a pillow.
- No, jeez. I'm--I'm happy you're here.
Who do you think's been keeping you alive
in the pasture cube?
- Okay, okay. - Okay, okay.
♪ ♪ ♪ ♪
- I really need your help.
Jasper? - Help for what? Jasper? - Help for what?
- It's Byron and Hazel.
They're not themselves. And I mean literally. They're not themselves. And I mean literally.
♪ ♪
- I see here Byron's uploaded copies - I see here Byron's uploaded copies
of his and Hazel's consciousnesses
to the Hub server when they took the chips out. to the Hub server when they took the chips out.
- Who cares? - Who cares?
- Yeah, you said Dr. Hau told you
their consciousness took over their bodies.
So where are Hazel and Byron right now? So where are Hazel and Byron right now?
- Suppressed in their bodies.
Eventually they'll disappear. Eventually they'll disappear.
- Okay. All right, well, where are
the fake Hazel and Byron at this very moment? the fake Hazel and Byron at this very moment?
- He's been there.
He's been watching the clouds for hours. He's been watching the clouds for hours.
And then he hugged me. And then he hugged me.
That's how I knew for sure that it wasn't him.
But I can't seem to find Hazel. But I can't seem to find Hazel.
- Okay, this is a great story, - Okay, this is a great story,
but let's file it under not my problem.
Can we get out of here? - Lyle.
- What? - What?
After all that guy did to us?
And after Hazel had the chance to leave, And after Hazel had the chance to leave,
and she just came back?
Look, they deserve this. Look, they deserve this.
- She did it for her father.
I know what it's like to have your identity
taken from you. taken from you.
Did Hazel know we were in the pasture cube? Did Hazel know we were in the pasture cube?
- She doesn't even know there is a pasture cube.
♪ ♪ ♪ ♪ ♪ ♪
- I can't leave until we fix this. - I can't leave until we fix this.
[insects chirping] [insects chirping]
- I think I'm ready.
[switch clicks]
My life, um...
it's been--it's been far from perfect.
But this moment? But this moment?
Pretty close. Pretty close.
Thank you for doing this with me. Thank you for doing this with me.
Don't cry. Don't cry.
I'm gonna see you again someday. I'm gonna see you again someday.
Mom and I.
We're both gonna be waiting for you. We're both gonna be waiting for you.
Don't come anytime soon, though, okay? Don't come anytime soon, though, okay?
- Okay.
- Just...
Just trust your instincts.
'Cause you got a good head on your shoulders. 'Cause you got a good head on your shoulders.
You got a good future ahead of you. You got a good future ahead of you.
- Okay. - Okay.
[Cristin Milioti's "715 creeks"] [Cristin Milioti's "715 creeks"]
- I love you, Hazel.
♪ ♪ ♪ ♪ ♪ ♪
- I love you too, Dad.
- ♪ Down along the creek ♪ - ♪ Down along the creek ♪
♪ I remember something ♪ ♪ I remember something ♪
- Gonna close my eyes for a little bit. - Gonna close my eyes for a little bit.
- ♪ Her, the heron hurried away ♪ - ♪ Her, the heron hurried away ♪
♪ When first I breeched ♪
♪ That last Sunday ♪ ♪ That last Sunday ♪
♪ Low moon don the yellow road ♪ ♪ Low moon don the yellow road ♪ ♪ Low moon don the yellow road ♪
♪ I remember something ♪ ♪ I remember something ♪
♪ That leaving wasn't easing ♪ ♪ That leaving wasn't easing ♪
♪ All that heaving in my vines ♪ ♪ All that heaving in my vines ♪
♪ And as certain it is evening 'at is ♪
♪ Now is not the time ♪ ♪ Now is not the time ♪
♪ Ooh ♪ ♪ Ooh ♪
♪ Toiling with your blood ♪ ♪ Toiling with your blood ♪
♪ I remember something ♪ ♪ I remember something ♪
♪ ♪ ♪ ♪ ♪ ♪
- You can come get him now.
- ♪ In B, un-rationed kissing ♪ - ♪ In B, un-rationed kissing ♪
♪ On a night second to last ♪
♪ Finding both your hands ♪ ♪ Finding both your hands ♪
♪ As second sun came past the glass ♪ ♪ As second sun came past the glass ♪
- Dad!
- ♪ Oh, I know it felt right and I had you in my grasp ♪ - ♪ Oh, I know it felt right and I had you in my grasp ♪ - ♪ Oh, I know it felt right and I had you in my grasp ♪
♪ Oh, then how we gonna cry? ♪ ♪ Oh, then how we gonna cry? ♪
♪ 'Cause it once might not mean something? ♪ ♪ 'Cause it once might not mean something? ♪
♪ Love at second glance ♪ ♪ Love at second glance ♪
♪ It is not something that we'll need ♪ ♪ It is not something that we'll need ♪
♪ But honey, understand ♪
♪ That I have been left here in the reeds ♪ ♪ That I have been left here in the reeds ♪
♪ And all I'm trying to do ♪ ♪ And all I'm trying to do ♪
♪ Is get my feet out from the crease ♪ ♪ Is get my feet out from the crease ♪
♪ And I see you ♪ ♪ And I see you ♪ ♪ And I see you ♪
♪ Turn around, now you're my A Team ♪ ♪ Turn around, now you're my A Team ♪
♪ God damn, turn around now ♪ ♪ God damn, turn around now ♪
♪ You're my A Team ♪ ♪ You're my A Team ♪ ♪ You're my A Team ♪
♪ ♪ ♪ ♪ ♪ ♪