[dramatic music]
♪ ♪ ♪ ♪
- Whoo. I think, uh,
we packed a lifetime of travel in the last two days. we packed a lifetime of travel in the last two days.
What a whirlwind, huh? What a whirlwind, huh?
Ahh. Ahh.
But, uh, I've had my fill.
When Hazel comes back, I'm gonna tell her everything. When Hazel comes back, I'm gonna tell her everything.
[static clicking] - Hello? [static clicking] - Hello?
- Do you hear something?
- Dad.
[static buzzing] [static buzzing]
Dad!
- Hazel?
- Dad, it's me. - Dad, it's me.
Byron trapped me.
I need your help. I need your help.
[funky electronic music] [funky electronic music]
♪ ♪ ♪ ♪
- You get that to Jasper. He'll know how to turn it on. - You get that to Jasper. He'll know how to turn it on.
- And what happens once it's turned on?
- We storm the castle and you end up being
the hero who took down Byron Gogol. the hero who took down Byron Gogol.
- [exhales] Not ready to go home yet.
It was lovely to be out in the world. It was lovely to be out in the world.
Together. I liked it. Together. I liked it.
- Me too. I... - Me too. I...
wish we did it more often. I would like that.
- Let's start now. - Let's start now.
[flowing harp chords] [flowing harp chords]
Let's go somewhere...
else now. else now.
- [chuckles] - [chuckles]
You know what? Okay.
- I wanna go to Montana. - I wanna go to Montana.
I wanna see where you grew up.
- [laughs] To Dutton? - [laughs] To Dutton?
You--you wanna go--
you wanna go to Dutton? you wanna go to Dutton?
- Mm-hmm.
The first time that you brought me back to the Hub, The first time that you brought me back to the Hub,
you knew everything about my history,
but I didn't know anything about yours, and I still don't. but I didn't know anything about yours, and I still don't.
And I think I might feel differently And I think I might feel differently
about going back to the Hub if I know about going back to the Hub if I know
who I'm going back with.
You know? - I'm--I'm so sorry. You know? - I'm--I'm so sorry.
Y-you're saying you wanna go to Dutton?
- Yeah. - Like, now? Is that-- - Yeah. - Like, now? Is that--
- I wanna go. No more secrets.
Right? Right?
- Right--yeah. Yes.
Dutton-- to Dutton!
I'll go tell the pilot right now. Yeah. I'll go tell the pilot right now. Yeah.
[bright music] [bright music]
♪ ♪ ♪ ♪ ♪ ♪
- So who's gonna be there?
- Um... - Um...
my dad, I guess.
- And you haven't seen him since... - And you haven't seen him since...
- I was 16.
16.
- You haven't had any contact with your dad since then? - You haven't had any contact with your dad since then?
- I don't know what you really expect, uh, - I don't know what you really expect, uh,
out of meeting my dad. I just wanna warn you
he will disappoint you, 'cause he will make sure of it. he will disappoint you, 'cause he will make sure of it.
- People can change. - People can change.
♪ ♪ ♪ ♪
- Dad wouldn't have fancy equipment. - Dad wouldn't have fancy equipment.
Someone else must be living here.
[sighs] [sighs]
- The mailbox says Benson.
- It does.
- Mm-hmm.
[birds chirping] [birds chirping]
- Looks exactly the same.
- Well, come on. Let's knock on the door. - Well, come on. Let's knock on the door.
- Okay. [clears throat]
[knocks softly]
- Maybe knock a little louder.
- Okay. [knocks loudly] - Okay. [knocks loudly]
[clears throat] [clears throat]
[soft dramatic music]
♪ ♪ ♪ ♪
[footsteps approaching] [footsteps approaching]
- Side window was open.
Come on in. Come on in.
Come on.
[static buzzing]
- I coulda told you coming back to the Hub was a trap. - I coulda told you coming back to the Hub was a trap.
We wouldn't be in this mess if you would've just talked to me, We wouldn't be in this mess if you would've just talked to me,
instead taking it upon yourself to roofie me every day. instead taking it upon yourself to roofie me every day.
- You're right.
I'm sorry. I'm sorry.
I was wrong. - What?
- Love sometimes inspires us to do unloving things. - Love sometimes inspires us to do unloving things.
- What, do you-- - What, do you--
you got time to think in there or something?
- I guess your husband sticking you in a computer - I guess your husband sticking you in a computer
and taking your body to Washington, D.C.
broadens your perspective a little. broadens your perspective a little.
[chuckles] - You feel okay?
You seem a little off. You seem a little off.
- I'm not okay. I'm trapped in a computer, Dad.
- [mutters] Jesus. - [mutters] Jesus.
Wait a minute, wait a minute, wait--
if--if you're in there, if--if you're in there,
then who's calling and checking on me?
- Whoever he put in my body. - Whoever he put in my body.
Probably some Hub worker.
Watch this. Watch this.
- I don't have a chip in my head.
Sorry to disappoint the tabloids. Sorry to disappoint the tabloids.
I know that'd make a great story.
- All right, all right. Turn it off. Turn it off. - All right, all right. Turn it off. Turn it off.
This whole place is frickin' cuckoo.
- I have a plan. - Uh-oh. - I have a plan. - Uh-oh.
- It's gonna sound a little brutal at first, - It's gonna sound a little brutal at first,
but it is the only way to get me out of here. but it is the only way to get me out of here.
I need a body. I need a body.
- You want me to-- to kill someone?
- No, no, no, no. I just need a... - No, no, no, no. I just need a...
a living body that I can borrow-- a living body that I can borrow--
temporary housing until I can get my real body back.
- What happens to that person when you're-- - What happens to that person when you're--
- Nothing.
They just get paused. They just get paused.
- All right, what--
what do I have to do, exactly? what do I have to do, exactly?
- I cannot picture you living here. - I cannot picture you living here.
- Yeah. Neither can I. - Yeah. Neither can I.
- It's different than I expected.
- Hell. - Hell.
- It's homey. - I'll see if he's upstairs.
[lilting jazzy notes] [lilting jazzy notes]
♪ ♪ ♪ ♪
[metallic click]
- Turn around.
Nice and slow. Nice and slow.
- [chuckles softly]
Alice?
- Hazel. Um...
who are...you? - Greg Benson. who are...you? - Greg Benson.
You wanna tell me why the fuck you're in my house? You wanna tell me why the fuck you're in my house?
- Aaron, put the gun down.
That's my wife. Put the gun down, Aaron. That's my wife. Put the gun down, Aaron.
- He said that he's Greg Benson. - He said that he's Greg Benson.
- That is my brother, Aaron. - Hi. - That is my brother, Aaron. - Hi.
- And apparently he's been, uh, using my name. - And apparently he's been, uh, using my name.
- You weren't using it.
- Where's Dad? - Where's Dad?
- He's outside.
Do you want to see him? Do you want to see him?
- I'd like that.
When did this happen?
- You honestly don't know? - You honestly don't know?
- I don't. I don't know.
- Drank himself to death. - Drank himself to death.
Not surprising.
- Why didn't you ever reach out? - Why didn't you ever reach out?
- Really?
You fuckin' with me right now? You fuckin' with me right now?
You don't remember me coming to you
when dad was about to lose the farm? when dad was about to lose the farm?
Rather than talking to me like a human being,
you sent some jerk to pay me off. you sent some jerk to pay me off.
But it turns out it was actually perfect timing
'cause poor old Aaron was about to go off to jail. 'cause poor old Aaron was about to go off to jail.
And don't worry. It was just a misunderstanding.
Turns out, being Greg Benson suits me. Turns out, being Greg Benson suits me.
- I'm sorry to hear about that. - I'm sorry to hear about that.
We'll be on our way.
- Byron.
Byron, are you okay? Byron, are you okay?
- He's not a good person. - He's not a good person.
I don't know what he's up to, but I don't wanna know.
- We--we came all this way, though. - We--we came all this way, though.
- Yeah, and he can't be trusted.
- You haven't seen each other since you were kids. - You haven't seen each other since you were kids.
Right? - Yeah, we got--that... Right? - Yeah, we got--that...
It was a mistake coming here.
- Yeah, but he's your only family that you have...left. - Yeah, but he's your only family that you have...left.
You don't wanna try?
Please? Please?
- Guys, why don't you stay for dinner?
You like chicken?
- So you're saying that humans
are fundamentally self-absorbed? are fundamentally self-absorbed?
- I'm sympathizing.
An ego is a horrible cage to be trapped inside-- An ego is a horrible cage to be trapped inside--
even worse than a tank
- And with you knowing so much,
is it hard with other dolphins? is it hard with other dolphins?
- The hardest part is everyone in here's a boring shag. - The hardest part is everyone in here's a boring shag.
- [laughs]
[Zelda nickers]
Listen, Zelda.
You trust me, right?
I've been thinking a lot on what you said about Fiffany I've been thinking a lot on what you said about Fiffany
and Hazel escaping through the tunnel. and Hazel escaping through the tunnel.
Are there more?
- There are a few underwater access tunnels - There are a few underwater access tunnels
I could show you.
- As in, I-- I come in and swim with you? - As in, I-- I come in and swim with you?
- No. We'll take my town car.
Of course swim, you daft wanker. Of course swim, you daft wanker.
[upbeat music] [upbeat music]
♪ ♪ ♪ ♪
- ♪ We call ♪
♪ You the freak...♪ ♪ You the freak...♪
[knock at door]
- [exhales, coughs] - [exhales, coughs]
[rod clattering] Oh.
Oh, God. Oh, God.
- Is Donnie here? - Is Donnie here?
- Every time we break up, he does this.
Donnie, your freaky-ass Donnie, your freaky-ass
Tinder grandma rebound pussy's here in a nun costume. Tinder grandma rebound pussy's here in a nun costume.
- Grandma? Excuse you.
- What the hell are you talkin' about? - What the hell are you talkin' about?
Holy shit. You're the unhinged nun! Holy shit. You're the unhinged nun!
Come in, come in.
- Mm, uh, I got your message. - Mm, uh, I got your message.
- So he's sliding in your DMs. It's cool.
- You ever been beat up by a celibate, menopausal woman? - You ever been beat up by a celibate, menopausal woman?
You said you had info on Hazel. You said you had info on Hazel.
- Yeah. Have a seat.
A while back, Hazel Gogol was outside my house A while back, Hazel Gogol was outside my house
and Byron Gogol called my phone. and Byron Gogol called my phone.
Had me tell Hazel that she was "made for love,"
and she was looking rough-- blood all over her face. and she was looking rough-- blood all over her face.
- I knew it! That's more proof. - I knew it! That's more proof.
'Cause she is brainwashed now, honey. 'Cause she is brainwashed now, honey.
- And she's denyin' it all over the news.
- Plus, I think Byron's got my friend Herb, too. - Plus, I think Byron's got my friend Herb, too.
We've got to help them.
I have a lead, but I think the feds are followin' me. I have a lead, but I think the feds are followin' me.
So I need to borrow a car that's not registered to me. So I need to borrow a car that's not registered to me.
- Mine's in the shop.
But... [lighter clicking] But... [lighter clicking]
[water bubbling]
- [clears throat] - [clears throat]
Could we swap cars for a few days? Could we swap cars for a few days?
- Hell no.
But for the right price, I will drive you. But for the right price, I will drive you.
Where are we going? Where are we going?
- Montana.
- Oh.
- Ooh.
- So who wants to be my sous chef? - So who wants to be my sous chef?
Hazel, wanna pluck or shuck?
- Hazel, do you-- actually, do you wanna - Hazel, do you-- actually, do you wanna
call your dad and just check in?
I can help here. I can help here.
- Well, now, that I wanna see.
But, yes, I'll be very quick. But, yes, I'll be very quick.
- Yeah.
- Well, you look the same.
- Hazel thinks we haven't seen each other since we were kids. - Hazel thinks we haven't seen each other since we were kids.
- Still weaving those tangled webs, huh? - Still weaving those tangled webs, huh?
So does she know about-- - I'll tell her, eventually. So does she know about-- - I'll tell her, eventually.
I'm just asking you not to say anything. I'm just asking you not to say anything.
As a favor.
[trilling notes] [trilling notes]
[Up with People's "Walk On Through"] [Up with People's "Walk On Through"]
♪ ♪
- ♪ As I open the door ♪
♪ The light shines brought...♪ ♪ The light shines brought...♪
- Come on! Hoof it!
- I'm coming! - I'm coming!
♪ ♪
- ♪ Taking the best of ♪ - ♪ Taking the best of ♪
♪ The days gone by ♪
♪ I won't look back ♪ ♪ I won't look back ♪
[thud] - [screams]
Ah, my fucking nose! Ah, my fucking nose!
[groans] - Lyle, you hit a wall! [groans] - Lyle, you hit a wall!
Let's try and find a corner or a door. Let's try and find a corner or a door.
[light thump] Oh.
♪ ♪ ♪ ♪
- Hey, hey, hey, hey. - Ah, ooh. - Hey, hey, hey, hey. - Ah, ooh.
- Oh, hey, Fiff. Fiff. - Huh?
[gasps] [gasps]
What is this? Where are we? What is this? Where are we?
- Another circle of hell.
- Huh?
- The pasture cube has different landscapes
with different mindfucks. with different mindfucks.
Holy shit. Holy shit.
The scenery change must have disoriented the Dwellers.
They're gone. Look, we lost 'em! Ha. They're gone. Look, we lost 'em! Ha.
- I'm not sure how much longer I can take this, Lyle.
I am exhausted and I am thirsty. I am exhausted and I am thirsty.
- Okay. Okay, okay.
Come on. I'll get you some water. Come on. I'll get you some water.
Come sit down. - [groaning]
- Take a few deep breaths, go to a happy place where - Take a few deep breaths, go to a happy place where
dolphins live amongst us and go to cafes and shit. dolphins live amongst us and go to cafes and shit.
- [laughs]
[soft funky notes]
[vocalization] [vocalization]
♪ ♪ ♪ ♪
- You think this is funny? - You think this is funny?
[melancholy music] [melancholy music]
♪ ♪ ♪ ♪ ♪ ♪
[curious plucky music]
♪ ♪ ♪ ♪ ♪ ♪
[phone rings]
- Oh, no. - Oh, no.
What if that's the imposter calling?
[phone continues ringing] [phone continues ringing]
- Hello. - Hi, Dad. - Hello. - Hi, Dad.
Dad?
Are you okay? - Yeah, hi.
I, uh, can't talk right now.
I got some chili on the stove. I got some chili on the stove.
- Oh, okay. Well, I just wanna let you know that Bangles and I
are gonna be another night-- - Such great news, have fun. are gonna be another night-- - Such great news, have fun.
Bye-bye.
[dial tone] [dial tone]
- Okay.
[dramatic music] [dramatic music]
♪ ♪ ♪ ♪ ♪ ♪
- ♪ Ah ♪ - ♪ Ah ♪
[crickets chirping] [crickets chirping]
- How about a toast? To family. - How about a toast? To family.
- To family.
- To family. - To family.
[clears throat] [clears throat]
- So who's Alice?
- Alice? - Alice?
She's just someone that we used to know.
- Yeah. - You know,
you could be her sister. you could be her sister.
- Mm. - How long has it been exactly
since you guys have seen each other? since you guys have seen each other?
- Mom left when I was eight and took Aaron with her. - Mom left when I was eight and took Aaron with her.
- Mm. - Dad always complained
that he was left with the runt.
- Trust me. You had the better deal. - Trust me. You had the better deal.
With Mom, I never knew where I was gonna sleep at night. With Mom, I never knew where I was gonna sleep at night.
- Is she still alive? - Don't know.
Do you?
- I looked for her once. No luck. - I looked for her once. No luck.
- Probably dead. - [laughs] - Probably dead. - [laughs]
[car horn honking]
That isn't our driver, is it?
- No, it's, uh, Leroy Fish. - He's still alive? - No, it's, uh, Leroy Fish. - He's still alive?
- Yeah. [laughs] - Oh, my God.
He used to give us hell when we were kids. He used to give us hell when we were kids.
- He's still trying.
Hey, Leroy.
- What's with the fancy cars up the road?
- Don't know what you're talking about, man. - Don't know what you're talking about, man.
- [scoffs] Bullshit.
[scoffing] We know what you're up to.
- [laughing] - And we are watching you. - [laughing] - And we are watching you.
- Nighty-night.
[both laugh] - Everything okay? [both laugh] - Everything okay?
- You know, he shot your husband once.
- It--it--BBs. - It--it--BBs.
I--I walked onto his property and pop-pop-pop.
- From that day on, it was war. - Yes, it was. - From that day on, it was war. - Yes, it was.
- We TP'd his house. [laughter] - We TP'd his house. [laughter]
We opened his livestock gates. - You still mess with him? We opened his livestock gates. - You still mess with him?
- Last week, I subscribed him to ten fetish magazines.
- Well, careful. That might win him over. - Well, careful. That might win him over.
[laughter]
- Oh, look at this. This is something, huh? - Oh, look at this. This is something, huh?
All of us just sitting here together. All of us just sitting here together.
And I'm glad you're here. And I'm glad you're here.
It's been too long.
- It's good to see you too.
♪ ♪ ♪ ♪ ♪ ♪
What do you think of the wallpaper? What do you think of the wallpaper?
My mom thought she was having a girl.
- Whoa. - Whoa.
- Wow. [mutters] This is amazing. - Wow. [mutters] This is amazing.
[keyboard keys clicking] [keyboard keys clicking]
- This was the inspiration for the Hub cubes? - This was the inspiration for the Hub cubes?
- I don't know, actually.
Maybe. Maybe.
It's so weird being back home.
It's like I'm walking through a dream. It's like I'm walking through a dream.
- Better than a nightmare. - [laughs]
Night is still young.
- [laughs] - [laughs]
- Come on. You wanna see my roof?
- Yeah. - Yeah.
Oh, my God.
It looks exactly the same.
- Mm-hmm.
[electronic buzzing] [electronic buzzing]
I built this radio myself. I built this radio myself.
We didn't really have TVs growing up. We didn't really have TVs growing up.
- That explains a lot, actually. - That explains a lot, actually.
Just kidding. - Mm-hmm.
[Female Species' "Till the Moon Don't Shine"] [Female Species' "Till the Moon Don't Shine"]
That's nice. That's nice.
- ♪ Ooh, I love you all the time ♪
♪ ♪ ♪ ♪
♪ I just can't seem to get you off my mind ♪ ♪ I just can't seem to get you off my mind ♪
- Why'd you change your name?
- Change my name? - Change my name?
Well, growing up, Well, growing up,
I always felt like I was...
born into the wrong family.
[chuckles]
I always actually searched for clues I always actually searched for clues
that I was adopted or swapped at birth. that I was adopted or swapped at birth.
And I spent so many nights sitting on this roof just... And I spent so many nights sitting on this roof just...
fantasizing that I could fantasizing that I could
someday be a completely different person. someday be a completely different person.
- I get that, actually. - I get that, actually.
I really wanted a new life, too.
That's why I married you. That's why I married you.
Why did you marry me, though? Why did you marry me, though?
- I think I wanted you to...
Save me. - From what?
- I married you because I thought there was a chance - I married you because I thought there was a chance
that...
you'd be able to help fix you'd be able to help fix
whatever is wrong with me. whatever is wrong with me.
♪ ♪ ♪ ♪ ♪ ♪
- Well, why have we never talked like this?
[both laugh] [both laugh]
[soft, dramatic music] [soft, dramatic music]
♪ ♪ ♪ ♪
- Zelda?
- I hope it's okay I came here.
I had to see you. I had to see you.
- Yeah, yeah, of course. You all right?
- I can't stop thinking about you, Jasper. - I can't stop thinking about you, Jasper.
I want you, and I know you want me too. I want you, and I know you want me too.
- I do.
I want you. - I want to feel your touch. I want you. - I want to feel your touch.
Come swim with me. Come swim with me.
[ethereal music]
[water swishing gently] [water swishing gently]
♪ ♪ ♪ ♪
- [gasps]
- You all right, honey?
You were really thrashing around in your sleep.
- Uh, yeah, I'm good. - Uh, yeah, I'm good.
Um...
just had a strange dream. just had a strange dream.
- Would you like to talk about it?
- No. I'm--I'm good. Uh, thank you. - No. I'm--I'm good. Uh, thank you.
Guess I'm just getting used to being here. Guess I'm just getting used to being here.
- I get it. Transitions are very hard. - I get it. Transitions are very hard.
Speaking of,
can I help with that? [display chimes] can I help with that? [display chimes]
- No, thank you.
I'm just gonna try and get some sleep. I'm just gonna try and get some sleep.
- Well, if you change your mind, I'm here. - Well, if you change your mind, I'm here.
[sultry voice] Sweet dreams, Jasper. [sultry voice] Sweet dreams, Jasper.
[arousing music] [arousing music]
♪ ♪
- Good night. I'll see you in the morning, okay? - Good night. I'll see you in the morning, okay?
- Where are you sleeping? - Downstairs couch. - Where are you sleeping? - Downstairs couch.
- I mean, you can sleep in here with me, if you want. - I mean, you can sleep in here with me, if you want.
- Yeah--is that okay?
- Mm-hmm. - Mm-hmm.
- Okay. - Okay.
You have room? - Yeah. You have room? - Yeah.
- Good night.
- Good night. - Good night.
[bed squeaking]
- [sighs] - [sighs]
- Does this bring back high school memories?
Did you ever sneak any girls up here? Did you ever sneak any girls up here?
- [chuckles softly]
No. I didn't.
You're actually the first. You're actually the first.
[both chuckle]
- Well,
did you ever fantasize about sneaking girls in here? did you ever fantasize about sneaking girls in here?
- Yeah.
[gentle music] [gentle music]
♪ ♪ ♪ ♪
[sighs]
♪ ♪ ♪ ♪ ♪ ♪
- Wait. - Wait.
Wait. No.
Lie back.
[dreamy music] [dreamy music]
♪ ♪ ♪ ♪ ♪ ♪
[both breathing heavily]
- [grunting] - [grunting]
[panting]
[playful music] [playful music]
♪ ♪ ♪ ♪ ♪ ♪
[contents rattling] [contents rattling]
[mysterious music] [mysterious music]
♪ ♪ ♪ ♪ ♪ ♪
- Herbert.
What are you doing? What are you doing?
Stop, stop, stop! [muffled screaming] Stop, stop, stop! [muffled screaming]
[sobbing] Why--don't do this, Herbert!
- I'm sorry. I gotta do this for my daughter. - I'm sorry. I gotta do this for my daughter.
- [whimpering] Herbert...
[machinery beeping] [machinery beeping]
You don't have to do this.
[muffled screams] [muffled screams]
- It's temporary.
[drill whirring] I think. [drill whirring] I think.
- [gasps] It's happening. - [gasps] It's happening.
It's happening now.
[unsettling dramatic music] [unsettling dramatic music]
♪ ♪
I'll come back for you. I'll come back for you.
♪ ♪ ♪ ♪
[drill buzzing]
[music crescendos] [music crescendos]
[shaky breaths]
- Hey, Dad.
[ethereal music] [ethereal music]
♪ ♪ ♪ ♪
[gulps, coughs] [gulps, coughs]
- You okay?
- Yeah.
I could use a beer. I could use a beer.
- I can't believe that it's you in there. - I can't believe that it's you in there.
- I know. I'm sorry. - I know. I'm sorry.
[sighs]
This is so fucked up-- [gasps] This is so fucked up-- [gasps]
- I mean, do you think you're still gonna be able to, um... - I mean, do you think you're still gonna be able to, um...
- Get back into my own body? - Yeah. - Get back into my own body? - Yeah.
I'm not worried about that. - Yeah. I'm not worried about that.
[laughs]
Oh!
Getting into this body was the hard part. Getting into this body was the hard part.
You did that for me. You did that for me.
Thanks, Dad. Thanks, Dad.
- Hey, uh, how do I know when Hazel's body's you again? - Hey, uh, how do I know when Hazel's body's you again?
- Oh, good point.
We need a code phrase. - Yeah. We need a code phrase. - Yeah.
We could use something from your secret language, huh? We could use something from your secret language, huh?
"Smearzart rearzight?" "Smearzart rearzight?"
- No, you're stupid. - Okay, all right. - No, you're stupid. - Okay, all right.
You come up with something then.
- No, I'm saying the code should just be,
"No, you're stupid." "No, you're stupid."
- Oh. Sure.
Okay, yeah. I can remember that. Okay, yeah. I can remember that.
- [laughs] - "No, you're stupid."
- [laughing] Stupid. - [laughing] Stupid.
You're stupid. [laughs]
[unsettling music] [unsettling music]
- Oh, hi. Sorry, I didn't-- - Oh, hi. Sorry, I didn't--
I didn't see you there.
- Yeah, I just-- I wanted to check in on you-- - Yeah, I just-- I wanted to check in on you--
you know, while, uh, Byron's not around. you know, while, uh, Byron's not around.
- I'm fine. Thank you.
- You know, you're really good with him. - You know, you're really good with him.
You only tell him what he wants to hear. You only tell him what he wants to hear.
- What's that supposed to mean?
- Well, the other one never really figured that out. - Well, the other one never really figured that out.
- What other one?
♪ ♪ ♪ ♪
- Hazel,
you are not the first one he brought to the Hub, okay? you are not the first one he brought to the Hub, okay? you are not the first one he brought to the Hub, okay?
Things did not end well for her.
You need to get out.
- What-- what happened to her? - What-- what happened to her?
[tense music] [tense music]
♪ ♪
Oh, my God. Where is it? - Where's what? Oh, my God. Where is it? - Where's what?
- Um, nothing, nothing. Oh, God, did he find it? - Um, nothing, nothing. Oh, God, did he find it?
I think he found it! - You can trust me, okay?
I can help you. - Plane's ready, Hazel. I can help you. - Plane's ready, Hazel.
- You're leaving so soon? - You're leaving so soon?
What the heck? You just got here.
Why don't you stay longer? Show Hazel more of Dutton. Why don't you stay longer? Show Hazel more of Dutton.
- She needs to go home to see her father. - She needs to go home to see her father.
Hazel. Right?
- I love that. - Come on, Hazel. - I love that. - Come on, Hazel.
[Perfume Genius' "Without You"] [Perfume Genius' "Without You"]
- I'll take that. - Thank you. - I'll take that. - Thank you.
♪ ♪ ♪ ♪
[clears throat] [clears throat]
So did you get to know me better? So did you get to know me better?
- I think I did, yeah.
♪ ♪ ♪ ♪
♪ It's a blurry shape, it's a jumbled tape ♪ ♪ It's a blurry shape, it's a jumbled tape ♪
♪ But sound ♪
♪ ♪ ♪ ♪
- You missing something?
- No. - No.
♪ ♪
- ♪ It's enough, in the mirror ♪ - ♪ It's enough, in the mirror ♪
♪ I can almost find your face ♪ ♪ I can almost find your face ♪
♪ ♪ ♪ ♪
♪ You know it's been such a long, long time ♪ ♪ You know it's been such a long, long time ♪
♪ Without you ♪
[sirens blaring] [sirens blaring]
♪ Without you ♪
♪ ♪ ♪ ♪
♪ It's the strangest feeling, unknown even ♪ ♪ It's the strangest feeling, unknown even ♪
♪ Almost good ♪ ♪ Almost good ♪
- All right, people! Let's find the Hub. - All right, people! Let's find the Hub.
- ♪ So long chasing, satisfaction's a lowly thing ♪ - ♪ So long chasing, satisfaction's a lowly thing ♪
♪ Or so she tells me ♪
♪ Underneath the feeling ♪ ♪ Underneath the feeling ♪ ♪ Underneath the feeling ♪
♪ I'm feeling something ♪
♪ When the center falls out ♪ ♪ When the center falls out ♪
♪ At least I'll have this spring ♪ ♪ At least I'll have this spring ♪
♪ You know it's been such a long, long time ♪ ♪ You know it's been such a long, long time ♪
♪ Without you ♪ ♪ Without you ♪
♪ ♪ ♪ ♪
♪ Without you ♪ ♪ Without you ♪
♪ ♪ ♪ ♪
♪ Without you ♪ ♪ Without you ♪
♪ ♪ ♪ ♪
♪ It's the strangest feeling ♪ ♪ It's the strangest feeling ♪
♪ Unknown even, almost good ♪
♪ With the dark still swinging ♪ ♪ With the dark still swinging ♪
♪ It's enough, not too loud ♪
♪ Just enough to find a trace ♪ ♪ Just enough to find a trace ♪
♪ Or so she tells me ♪ ♪ Or so she tells me ♪
♪ It's enough, in the mirror, I can almost find your face ♪ ♪ It's enough, in the mirror, I can almost find your face ♪
♪ Feeling, I'm feeling something ♪
♪ It's enough, in the mirror, I can almost find a trace ♪ ♪ It's enough, in the mirror, I can almost find a trace ♪ ♪ It's enough, in the mirror, I can almost find a trace ♪
♪ ♪
♪ It's enough, in the mirror, I can almost find a trace ♪ ♪ It's enough, in the mirror, I can almost find a trace ♪
♪ Feeling, I'm feeling something ♪ ♪ Feeling, I'm feeling something ♪
♪ It's enough, in the mirror, I can almost find a trace ♪ ♪ It's enough, in the mirror, I can almost find a trace ♪
♪ At least I'll have this spring ♪ ♪ At least I'll have this spring ♪
♪ You know it's been such a long, long time ♪ ♪ You know it's been such a long, long time ♪ ♪ You know it's been such a long, long time ♪