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[percussive music playing]
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[Orlick] Here's all you need to know.
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[Nadia] Mason took Paulo.
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He's gonna use him
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as leverage to get Abby back.
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[Celine] And that crazy bitch took Edison.
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- How does this play out?
- We make a trade.
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I get my wife. They get you.
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[Paulo] You've brought only pain and death
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to everyone who loved you.
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And your daughters will wonder
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why the world didn't allow them
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the chance to kill you themself.
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- You're safe now.
- Am I?
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[grunting]
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Go!
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- Ow!
- You're hit.
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I'm fine.
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Abby, you okay?
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You mean Celeste?
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[intense music playing]
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- [Abby] Get off me!
- [Kyle] Calm down.
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[grunts] How could you have
done that to me?!
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- Mason did this to you.
- Ugh! Fuck off.
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- [Dahlia] Where are we going?
- [Kyle] Just drive!
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But Kyle knew. Didn't you? You knew!
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Home's gonna be compromised.
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Just get us out of the city!
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- Where?!
- What does it matter?!
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[all grunting]
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[eerie music playing]
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[grunting weakly]
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♪ ♪
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[Hutch] What is there to talk about?
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Mason killed the motherfucker.
Which is really
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a huge boner killer for me and Celine.
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- He knew that was our thing.
- Right.
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- Paulo can still win this thing.
- [Hutch] How?
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He's stuffed in the kitchen closet
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with his brains leaking
into a box of Coco Pops.
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Paulo can still win this thing
because Joana
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will see his plan through.
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She'll kill the Russian president
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and pay his number two for the satellites.
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We have 30 hours
before the Russian president
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is assassinated at the G8.
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[Hutch] You said you made that
Manchurian Candidate code so tough
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to hack it would take them years
to figure it out.
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With a black hat like Edison,
they'll do it in no time.
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Whoever has the chip
implanted in them, Manticore
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- will be able to control them...
- [Hutch] A chip?
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What are you talking about?
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I blocked the software
that accesses the chip.
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Hacker lady goes in,
unblocks the access to the software,
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Manticore gets their assassin.
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I feel like The Manchurian Candidate
was not nearly this hard to follow.
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- Nothing could be more simple.
- [Hutch] You make things
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way more complicated than they actually
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- need to be.
- [Orlick] What the fuck?
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Okay, the assassin could be any one
of the hundreds of people present there.
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And the G8 is taking place
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with more security than the Kremlin
and the White House.
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And despite all this,
we have to stop the killer.
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[somber music playing]
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Your father is gone.
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He had an accident.
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♪ ♪
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Eyes forward.
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Unless you want to lose them.
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Twenty-seven hours.
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That's impossib--
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[whimpers]
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I'm sure your daughter's probably at home
waiting for your safe return.
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If you don't fix this, I will send
one of my people in there to douse her
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- in gasoline
- [crying]
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and set her on fucking fire.
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Twenty-seven hours.
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[gasps]
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Is Abby okay?
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Mild concussion, but she's fine.
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- My mother?
- I stitched her up best I could.
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She'll live, unfortunately.
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That's for tasing me.
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That's for lying to me.
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Are we done?
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[short chuckle] You feel better?
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I feel great.
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You stupid little bitch.
What were you thinking?
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I was thinking I needed to save my wife,
which I did.
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I killed Paulo. Why the fuck am I tied up?
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Because I don't trust you.
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The assassin's in motion.
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Gonna hit the G8 tomorrow.
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Why you telling me?
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Because the consensus is, apparently,
you're needed for this.
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Figure out who you are.
You can't be both of them.
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One will win.
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Finally got me into your boudoir,
you old bag.
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The stuff of my nightmares.
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Oh, really, this is too pathetic
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a way to kill me, even for you.
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Yes, I know.
I imagined something quite different.
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Like a stake through the heart.
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Then you would combust
into a million bats.
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It's a funny thing
about faking your own death.
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When you're actually dying, it's a bitch.
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Isn't it?
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You owe me
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a tooth.
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And you owe me a husband.
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And a son.
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And a life.
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You took it all away from me.
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And you don't think that leaving
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a five-year-old child
and coming back years later
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and manipulating him
to murder thousands
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of his colleagues had anything to do
with him breaking away from you?
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He was broken by you when he was
five years old and saw his father
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burning to death in his bed.
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Broken again years later at 23,
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when you took him under your wing
and made him believe
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that violence against those
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inconvenient to your idea of progress
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was somehow justice.
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Maybe I felt guilty.
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Maybe I was trying
to point him down the right path.
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You can't point down the right path
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with your hands covered in blood.
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But really, it's very sweet of you.
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But you are a poor imitation of a father.
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[wistful music playing]
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I loved him, too, you know.
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Thomas.
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Well, apparently,
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not enough to spare him.
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- It was an error.
- It was my life.
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So, either just get on with this
or tell me this:
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if you're not here to kill me
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and you're not here to gloat...
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why are you here, Bernard?
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You good?
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Well, I didn't kill her, so...
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- been better.
- [Dahlia] On the contrary, I think
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00:09:01,563 --> 00:09:04,980
this is the start
of a beautiful friendship, Bernard.
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I'll leave you to it.
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You okay?
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The pain's nothing compared to having you.
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You were a fat wanker of a baby.
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I begged them for a C-section,
but they forbid it.
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Said natural's best for the child.
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Wonder if they saw you now
if they'd agree.
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Your wife stitched me up good.
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Nadia.
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Thank you for helping me get my wife back.
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Abby.
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I'm sorry for what I did to you.
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For what I made you.
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But there's still time
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for you to choose who you are.
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What you are.
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[footsteps approaching]
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- [Mason] All right, look, everyone--
- Already bored.
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No one cares.
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Don't look at me.
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All right. All world leaders will arrive
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at the summit tomorrow at 11:00 a.m.
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There are checkpoints all over,
so no weapon should be fully exposed.
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Because once you're inside,
with the tech that Joana has,
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she can turn anybody there into a killer--
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the journalists, the diplomats,
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politicians, security guards-- anybody.
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She wants to send a message to the world.
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So, I think that she is going to kill him
at the press conference.
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This is insane, right? I mean,
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you all agree this is totally insane?
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Even for you, Bernard.
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It's a seven-hour journey,
so we need to go now.
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I need to put Abby somewhere safe first.
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[Celine in French] Ah, yes of course.
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[in English] And we should just trust you
that that's where you're going?
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[Hutch] Yeah, we've heard
that one before, buddy.
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And usually it ends up
with us getting dicked over.
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And somebody's brains all over your shoes.
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[Nadia] I can go with them.
185
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Make sure it stays on track.
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00:11:29,771 --> 00:11:31,105
Yes. Fine.
187
00:11:32,646 --> 00:11:35,520
I'm not going anywhere with you.
With either of you.
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You stay here, they'll find you,
they'll kill you.
189
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Then what's Hendrix gonna do?
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[tense music playing]
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♪ ♪
192
00:12:13,563 --> 00:12:16,312
You would have done the same
for your wife.
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Is that right?
194
00:12:17,521 --> 00:12:20,104
Because a week ago, I called my wife
195
00:12:20,105 --> 00:12:23,979
and I told her that was the last time
I was going to speak with her.
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- Do you know why?
- Tell me.
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Because the only way
I can do what I need to do
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is to shed myself
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of everyone I care about.
200
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That's why.
201
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Don't ask me to appreciate your sacrifice.
202
00:12:36,438 --> 00:12:38,770
I'm not gonna play "blood on my hands"
Olympics with you.
203
00:12:38,771 --> 00:12:40,895
- You were gonna let Abby die.
- Yeah.
204
00:12:40,896 --> 00:12:43,645
As I would have let Joe, Val,
205
00:12:43,646 --> 00:12:45,687
you or me.
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00:12:45,688 --> 00:12:49,270
Because the alternative
is exactly the same.
207
00:12:49,271 --> 00:12:51,938
We fail, they die anyway.
208
00:12:57,105 --> 00:12:58,813
What do you want from me?
209
00:13:03,771 --> 00:13:05,104
Remorse.
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00:13:05,105 --> 00:13:07,438
[gentle music playing]
211
00:13:12,313 --> 00:13:14,104
I'm sorry.
212
00:13:14,105 --> 00:13:16,187
- No, you're not.
- Yes, I am.
213
00:13:16,188 --> 00:13:20,062
I know what I took from you
when you were a boy.
214
00:13:20,063 --> 00:13:21,812
I know it only too well.
215
00:13:21,813 --> 00:13:23,605
It haunts me every day.
216
00:13:28,021 --> 00:13:29,896
And I'm sorry.
217
00:13:31,105 --> 00:13:32,480
Very.
218
00:13:33,730 --> 00:13:36,479
But maybe what we do tomorrow
219
00:13:36,480 --> 00:13:38,563
can start to set things right.
220
00:13:40,313 --> 00:13:43,437
There's a cottage about a mile away
from the safehouse.
221
00:13:43,438 --> 00:13:45,563
You can take Abby there.
222
00:13:48,438 --> 00:13:52,896
And then I need Mason Kane, one last time.
223
00:13:57,396 --> 00:13:59,396
[suspenseful music playing]
224
00:14:28,271 --> 00:14:31,063
♪ ♪
225
00:14:57,438 --> 00:14:59,438
♪ ♪
226
00:15:27,813 --> 00:15:29,813
♪ ♪
227
00:15:55,605 --> 00:15:57,605
♪ ♪
228
00:16:22,105 --> 00:16:24,105
♪ ♪
229
00:16:54,063 --> 00:16:57,729
Hey, I didn't mean to rile you up
back in London.
230
00:16:57,730 --> 00:17:01,146
And Rome. And Tuscany. And France.
231
00:17:02,271 --> 00:17:03,895
That's all right. Don't worry about it.
232
00:17:03,896 --> 00:17:06,605
Just a little on edge,
if I'm being honest.
233
00:17:09,688 --> 00:17:11,645
I've been thinking...
234
00:17:11,646 --> 00:17:14,312
we might not win.
235
00:17:14,313 --> 00:17:16,895
We might not be able to stop 'em.
236
00:17:16,896 --> 00:17:20,354
If they fuck up the whole world
and destroy everything
237
00:17:20,355 --> 00:17:22,480
and the shit really hits the fan...
238
00:17:24,313 --> 00:17:26,855
...what happens to the people
we care about?
239
00:17:30,605 --> 00:17:31,937
I don't even know what I'm trying to say.
240
00:17:31,938 --> 00:17:34,062
Just... I guess
241
00:17:34,063 --> 00:17:36,230
you all have family.
242
00:17:38,813 --> 00:17:40,312
Well, you got her.
243
00:17:40,313 --> 00:17:42,646
[pensive music playing]
244
00:17:43,896 --> 00:17:46,313
You've done a good job protecting her.
245
00:17:48,188 --> 00:17:51,395
We can protect the ones we love
from being killed,
246
00:17:51,396 --> 00:17:52,895
but the most important thing
247
00:17:52,896 --> 00:17:55,937
is to protect the good
248
00:17:55,938 --> 00:17:58,354
that's inside of those we love
249
00:17:58,355 --> 00:18:00,438
from being killed.
250
00:18:02,146 --> 00:18:03,771
You're doing that.
251
00:18:05,355 --> 00:18:07,271
Keep doing it.
252
00:18:11,063 --> 00:18:12,104
[laughs]
253
00:18:12,105 --> 00:18:14,396
- [Sharpe] There we are.
- [Celine] Thank you.
254
00:18:16,355 --> 00:18:18,355
[suspenseful music playing]
255
00:18:47,355 --> 00:18:49,355
♪ ♪
256
00:19:10,480 --> 00:19:12,271
So we were friends?
257
00:19:17,021 --> 00:19:18,396
We were.
258
00:19:22,480 --> 00:19:24,438
Close?
259
00:19:25,563 --> 00:19:27,063
Mm-hmm.
260
00:19:28,105 --> 00:19:31,063
Were you in on it-- what he did to me?
261
00:19:35,480 --> 00:19:36,979
No.
262
00:19:36,980 --> 00:19:38,855
Then why didn't you tell me who I was?
263
00:19:42,230 --> 00:19:44,563
I really didn't know how.
264
00:20:02,938 --> 00:20:04,938
[foreboding music playing]
265
00:20:09,063 --> 00:20:10,563
[knocking]
266
00:20:14,688 --> 00:20:16,354
Mr. Prime Minister.
267
00:20:16,355 --> 00:20:19,062
- Where is Mr. Braga?
- I'll be quick.
268
00:20:19,063 --> 00:20:22,187
I have put 12 billion
in an escrow account.
269
00:20:22,188 --> 00:20:25,312
Once we kill President Aronov
and you've transferred control
270
00:20:25,313 --> 00:20:28,854
of your satellites to us,
the contingencies will be lifted.
271
00:20:28,855 --> 00:20:31,480
I have my own contingency.
272
00:20:32,355 --> 00:20:33,770
And what would that be?
273
00:20:33,771 --> 00:20:36,771
These satellites
are the most powerful on Earth.
274
00:20:37,771 --> 00:20:39,938
Their surveillance is unparalleled.
275
00:20:42,105 --> 00:20:46,229
After the transfer, I don't exist.
276
00:20:46,230 --> 00:20:48,937
Me, my wife, my children,
277
00:20:48,938 --> 00:20:51,854
we are exempt from your prying eyes.
278
00:20:51,855 --> 00:20:54,105
We remain free.
279
00:20:55,188 --> 00:20:57,188
[suspenseful music playing]
280
00:21:14,271 --> 00:21:15,480
Keep typing.
281
00:21:16,646 --> 00:21:17,770
[Seo Jun sighs]
282
00:21:17,771 --> 00:21:19,313
Come on.
283
00:21:30,813 --> 00:21:32,188
Good girl.
284
00:21:37,855 --> 00:21:41,313
[thunder rumbling]
285
00:21:52,188 --> 00:21:54,854
I'm sorry for what I did to you.
286
00:21:54,855 --> 00:21:57,688
For what he took from you. I don't...
287
00:21:59,896 --> 00:22:02,604
I don't recognize him.
288
00:22:02,605 --> 00:22:05,354
The man that's capable of...
289
00:22:05,355 --> 00:22:07,271
That that's part of me.
290
00:22:12,605 --> 00:22:13,895
But I'm here, too.
291
00:22:13,896 --> 00:22:16,979
Everything I'm doing is for you.
292
00:22:16,980 --> 00:22:19,729
I will do anything for you.
293
00:22:19,730 --> 00:22:21,271
I love you.
294
00:22:27,105 --> 00:22:29,646
Do you remember the weekend
we went to Portland?
295
00:22:33,563 --> 00:22:37,020
We stayed at the Marriott
and got hammered in the parking lot.
296
00:22:37,021 --> 00:22:38,563
Yeah.
297
00:22:39,646 --> 00:22:42,230
Do you remember I left, got another room?
298
00:22:43,230 --> 00:22:46,520
I mean, you were pretty fucking wasted,
so I don't think you'd remember.
299
00:22:46,521 --> 00:22:50,604
But, yeah, I left. Um, and the reason
that I did was because...
300
00:22:50,605 --> 00:22:52,688
[thunder rumbling]
301
00:22:58,105 --> 00:23:01,020
When we were in bed, you said her name.
302
00:23:01,021 --> 00:23:02,730
Nadia.
303
00:23:03,813 --> 00:23:06,229
You whispered it in your sleep.
304
00:23:06,230 --> 00:23:08,229
[somber music playing]
305
00:23:08,230 --> 00:23:09,770
That was the first time.
306
00:23:09,771 --> 00:23:13,395
It happened... after that
a dozen more times
307
00:23:13,396 --> 00:23:16,104
over the years,
and I should have told you,
308
00:23:16,105 --> 00:23:18,645
but I told myself I didn't know how.
309
00:23:18,646 --> 00:23:22,395
And I tried to believe otherwise, but
I always felt that, when you looked at me,
310
00:23:22,396 --> 00:23:24,688
when you really looked at me...
311
00:23:26,896 --> 00:23:29,520
...you were somehow hoping you'd see her.
312
00:23:29,521 --> 00:23:31,563
♪ ♪
313
00:23:39,938 --> 00:23:43,770
I don't think you can blame it all on him.
314
00:23:43,771 --> 00:23:45,438
On Mason.
315
00:23:51,771 --> 00:23:54,271
[thunder rumbling]
316
00:24:03,313 --> 00:24:05,146
All right, you lock the door.
317
00:24:07,563 --> 00:24:11,479
If anyone comes,
doesn't matter who it is, you shoot first.
318
00:24:11,480 --> 00:24:12,938
Understand?
319
00:24:15,896 --> 00:24:18,854
When I get back, we'll talk.
320
00:24:18,855 --> 00:24:20,979
I won't be here when you get back.
321
00:24:20,980 --> 00:24:22,854
- What do you mean?
- You go do this,
322
00:24:22,855 --> 00:24:26,104
I'm gonna go get Hendrix, and I'll
take her someplace you'll never find us.
323
00:24:26,105 --> 00:24:27,312
I go do this,
324
00:24:27,313 --> 00:24:28,854
- and we can get back to our lives.
- No.
325
00:24:28,855 --> 00:24:30,270
That's what you said a month ago.
326
00:24:30,271 --> 00:24:32,645
You'd finish the mission, we'd go back
to our lives. That's what you said.
327
00:24:32,646 --> 00:24:35,937
Here we are again.
So I can see how this repeats.
328
00:24:35,938 --> 00:24:38,229
It'll just be one more time.
329
00:24:38,230 --> 00:24:40,520
One more go.
330
00:24:40,521 --> 00:24:42,979
One more mission,
and I am kept from my kid.
331
00:24:42,980 --> 00:24:46,145
Off grid, stashed somewhere
until you come back for me.
332
00:24:46,146 --> 00:24:47,604
Until you say so.
333
00:24:47,605 --> 00:24:51,854
And you and Nadia are off
saving the world again.
334
00:24:51,855 --> 00:24:55,479
And Hendrix and I, we give up everything
335
00:24:55,480 --> 00:24:58,563
so that you don't have to...
to let go of anything.
336
00:25:00,855 --> 00:25:02,020
Do you understand?
337
00:25:02,021 --> 00:25:04,229
- God, it's not like that at all.
- Isn't it?
338
00:25:04,230 --> 00:25:06,980
[thunder rumbling]
339
00:25:10,521 --> 00:25:12,021
[Abby] Why'd you come back?
340
00:25:17,646 --> 00:25:19,771
I was pulled back in.
341
00:25:21,105 --> 00:25:22,812
Or was it him?
342
00:25:22,813 --> 00:25:25,645
Were you two drawn back to each other
to save the world? It's a perfect cover.
343
00:25:25,646 --> 00:25:27,020
[Nadia] It's not a cover.
344
00:25:27,021 --> 00:25:29,104
Everything I'm doing is for my daughter,
and that's it.
345
00:25:29,105 --> 00:25:30,896
Do you love him?
346
00:25:32,855 --> 00:25:35,771
You may hate him, but do you love him?
347
00:25:39,480 --> 00:25:41,730
The least you can do is tell me the truth.
348
00:25:47,896 --> 00:25:49,480
I wish I didn't.
349
00:25:50,480 --> 00:25:52,813
[tense music playing]
350
00:25:58,896 --> 00:26:00,605
And do you love her?
351
00:26:02,896 --> 00:26:04,354
I'm not doing this.
352
00:26:04,355 --> 00:26:06,395
- Why not?
- Because it's cruel.
353
00:26:06,396 --> 00:26:08,396
The truth is cruel.
354
00:26:12,980 --> 00:26:16,188
I just risked everything
to save your life.
355
00:26:17,480 --> 00:26:19,355
Do you love Nadia?
356
00:26:20,938 --> 00:26:22,479
I love you.
357
00:26:22,480 --> 00:26:25,187
[dramatic music playing]
358
00:26:25,188 --> 00:26:26,521
Okay.
359
00:26:27,605 --> 00:26:31,562
Then we go now, we go get Hendrix,
we do not look back.
360
00:26:31,563 --> 00:26:33,521
You can't have both.
361
00:26:36,271 --> 00:26:38,730
You can't be both.
362
00:26:47,980 --> 00:26:48,980
Okay.
363
00:26:51,188 --> 00:26:53,730
Okay. Let's go get our little girl.
364
00:27:00,396 --> 00:27:01,437
- Okay.
- Yeah.
365
00:27:01,438 --> 00:27:03,062
Okay. Okay.
366
00:27:03,063 --> 00:27:05,146
[thunder rumbling]
367
00:27:10,021 --> 00:27:11,896
[phone ringing]
368
00:27:14,730 --> 00:27:15,729
Yeah?
369
00:27:15,730 --> 00:27:17,062
It's ready.
370
00:27:17,063 --> 00:27:18,687
She's done it.
371
00:27:18,688 --> 00:27:20,813
[tense, dramatic music playing]
372
00:27:24,146 --> 00:27:25,354
[Joana] Activate.
373
00:27:25,355 --> 00:27:26,896
On it.
374
00:27:30,521 --> 00:27:32,812
[gun cocks]
375
00:27:32,813 --> 00:27:34,646
Do it.
376
00:27:41,563 --> 00:27:42,688
Come on.
377
00:27:49,771 --> 00:27:52,563
[ominous music playing]
378
00:27:59,771 --> 00:28:01,396
I'm sorry.
379
00:28:03,230 --> 00:28:05,230
I have to go.
380
00:28:30,230 --> 00:28:32,688
[both grunt]
381
00:28:33,688 --> 00:28:35,437
What the fuck are you doing?
382
00:28:35,438 --> 00:28:36,605
[grunts]
383
00:28:37,605 --> 00:28:38,854
It's you.
384
00:28:38,855 --> 00:28:40,312
[intense music playing]
385
00:28:40,313 --> 00:28:42,313
[grunting and groaning]
386
00:28:53,105 --> 00:28:54,563
[groaning]
387
00:29:07,480 --> 00:29:09,021
[yells]
388
00:29:13,396 --> 00:29:15,230
- [pained yelp]
- [groans weakly]
389
00:29:15,938 --> 00:29:17,480
[gasps]
390
00:29:24,271 --> 00:29:25,813
[grunts sharply]
391
00:29:28,896 --> 00:29:30,104
[panting]
392
00:29:30,105 --> 00:29:31,229
[groans]
393
00:29:31,230 --> 00:29:33,104
[pulls out knife]
394
00:29:33,105 --> 00:29:34,771
- [blade strikes]
- [grunts]
395
00:29:39,313 --> 00:29:41,605
[frustrated yelling]
396
00:29:44,521 --> 00:29:45,646
[gasps]
397
00:29:49,480 --> 00:29:50,562
Hold on, okay?
398
00:29:50,563 --> 00:29:53,062
- We got to move you. Okay. Come on.
- [grunts]
399
00:29:53,063 --> 00:29:54,437
Come on.
400
00:29:54,438 --> 00:29:56,604
- [grunts]
- [screams]
401
00:29:56,605 --> 00:29:58,688
[somber music playing]
402
00:30:03,146 --> 00:30:05,730
[Registrar Gucci speaking Italian,
distorted]
403
00:30:09,605 --> 00:30:11,687
[groaning]
404
00:30:11,688 --> 00:30:13,480
[grunting]
405
00:30:17,896 --> 00:30:19,896
[pained grunting]
406
00:30:36,813 --> 00:30:38,396
[distorted laughing]
407
00:30:39,813 --> 00:30:41,813
[thunder rumbling]
408
00:30:57,021 --> 00:30:58,479
- Come on!
- [groaning]
409
00:30:58,480 --> 00:31:00,021
You got this.
410
00:31:09,188 --> 00:31:10,395
I'm sorry.
411
00:31:10,396 --> 00:31:12,813
I'm so sorry. I love you.
412
00:31:14,521 --> 00:31:16,271
I love you.
413
00:31:19,480 --> 00:31:21,730
Hold on. Hold on, okay? Hold on.
414
00:31:33,771 --> 00:31:35,105
Mason.
415
00:31:38,021 --> 00:31:39,145
Mason.
416
00:31:39,146 --> 00:31:41,355
[mournful music playing]
417
00:31:46,230 --> 00:31:47,563
[gasps]
418
00:32:09,438 --> 00:32:11,438
♪ ♪
419
00:32:41,438 --> 00:32:43,438
♪ ♪
420
00:33:13,438 --> 00:33:15,438
♪ ♪
421
00:33:49,605 --> 00:33:51,605
♪ ♪
422
00:34:18,646 --> 00:34:20,646
♪ ♪