4 MONTHS EARLIER
-Is the food ready? -Yes.
CONALEP SOL, PEPÍN AND MINERS
-There it is. -Done.
All right, come on. We need to load this up.
Okay. Come on. Grab it.
Do you like it?
It's delicious.
But…
It's good, but it needs salt.
You always say that. You love salty food.
One. Two. Three.
-Push it, push it. -That's it!
Down, down.
Watch your feet.
-There's the rock. -That's it.
-Go back. Let's get the other one. -That way.
-All right, we're all here. -…two, three.
-One, two… -Two…
What do you see?
Can you hear me?
Ezequiel, what time is it?
09:05.
It's been a long while.
I don't even know anymore. We've been here 38 hours and counting.
I'm not even hungry anymore.
I'd give my left hand for my mom's pozole.
What do you want me to cook when we get out?
Some enmoladas.
The ones your Aunt Alicia makes.
Everything okay?
That was a big tremor earlier.
Yes, yes.
All good.
EVERY MINUTE COUNTS
38 HOURS AFTER THE EARTHQUAKE
Poor Rosario. I'd give anything for her to be out already.
She still has her boyfriend, her family, a whole life ahead of her.
GENERAL HOSPITAL HILDA AND CHAVE
So do you, sister.
Look, we can't change what has already happened.
There's nothing we can do.
What's left is to decide what we'll do with whatever comes next.
I don't know what will happen with my life from now on.
Me neither.
Pepín left me
because I wouldn't go with him to the USA.
And I don't think he's coming back.
But, right now, I can't back down.
I have to push forward, for Josefa and for myself.
Is that thing about Pepín certain?
Honestly, with everything going on, I don't know what's certain.
But we have to keep working
because all these people need us.
I need you.
Me too, sister.
Me too.
All right, pull!
Come on, come on. Pull.
Who is it?
That's it. Come on.
Good. There. We got him.
-Careful, careful. -We'll help.
Carefully.
-Don't move him too much. Hey! -Give him room.
I'm here, sweetheart. I'm here.
-Stay calm. -Don't move him too much.
Are you a doctor?
I started a paramedic course.
I told you I was going to get you out.
I can't feel my arm anymore.
I can't move it.
We already know that, but is it turning gangrenous?
Try moving your fingers.
I can't.
I think I can't see out of one eye.
We have to try to stay conscious until they get us out.
Let's think about what we'll do when we get out.
If we get out.
We will.
I'm going to make everyone's favorite dish.
I have a serious wound.
I think I'm bleeding out.
Why didn't you say anything?
Find something to cover the wound.
I think there's some paper here.
We're going to die in here.
Of hunger, bleeding out, or we'll just stop breathing.
I can't take it anymore. Really.
I'm so tired.
I'm dizzy. I can't even think.
We are getting out. Ezequiel will make our favorite meal.
Hey.
What the hell happened?
-Hey! -It was a reporter,
her cameraman, and another guy who caught us off guard, sir.
I think they only took medicines.
Colonel.
Sir, can you hear me?
Yes. I hear you. Over.
They knocked out Carrión and Vélez.
They took their stuff and some medicines, Colonel.
Who was it?
-Can you hear me? -Don't mess around. Dude, come on.
-Attention. -Done, I hid it.
-No one will find it. -No, girl,
now the soldiers will be after us.
The marines will come for us.
We need to ditch the car and run.
-What about the stuff? -We leave it.
Look, girl, we're sorry. Okay?
I know we should do the right thing, but right now, no way.
It's us or your medicines.
No, of course not.
We're taking them to the General Hospital.
-Stubborn and deaf. -Oh, well…
Corporal Valenzuela.
If Camila Toledo, the journalist, shows up here, arrest her immediately.
Understood, Colonel.
On what charges?
It's a matter of national security.
I'm on alert, Colonel.
You okay, ma'am? We're leaving now.
-The door. -Yes, okay.
STREET NEXT TO CONALEP VICTORIA
Hey, thanks for the help.
That's why I came. I'd rather be helping.
I'll take them to the General Hospital. There are great nurses and doctors there.
The only bad thing is the soldiers. They are so--
-Did you say nurses? -Yes.
Did you meet one named Chavela?
Yes, Chave.
We were together when the aftershock hit.
-How is she? -She's fine.
Was she with her daughter?
Yes. We were all okay.
I think her daughter went with her grandma or something like that.
How do you know her?
From around.
Okay. Take them now.
Yeah. See you.
Don't lose hope, ma'am.
The man says he heard voices down there.
There's life down there.
Let's go.
Yes.
Let's go, let's go.
Hurry, hurry! We got people in there.
They're in there.
How's it going?
Getting there. Look.
Do you hear that?
They are coming for us.
Martina, David,
don't leave me alone.
4 MONTHS EARLIER
Why are you eating so fast?
I'm hungry.
You taught me how to cook well.
I only taught you the basics.
And then you improved the recipes.
Bravo!
Actually… I want to study cooking.
Cooking isn't for men.
I want to work as a cook.
In a restaurant…
…or maybe open my own.
That's for rich people,
and we don't belong in that world.
Are you going to open the hole a bit more?
-We have to brace it. -I'm going in.
Sol, pass me a shovel.
-We'll secure you too. -No.
-Pepín. -Don't tie me up.
No time. There's life down there.
Careful, Pepín.
-Careful, careful! -Stay sharp, okay?
Yes. We are.
-Let us know how many beams you need. -Okay!
Hey!
Can anyone hear me?
Please, if anyone can hear me, shout.
Yes… Here.
We're here.
I'm almost there! Keep talking!
Yes. We're here.
Here…
I'm sorry. I didn't want to make you angry.
Sorry.
You are right.
There aren't even any cooking schools here.
Well, there's CONALEP.
You could enroll there.
You can learn something simple, a trade.
And then later, you can think about working in a kitchen.
Take the opportunity to enroll.
Tomorrow, I'll go get all the information.
Can I have some of what you cooked?
-It's your favorite. -Yes.
Careful, another one's coming.
-Slow down, gentlemen, slow down. -All right.
Now do that side.
-There we go. -Careful.
-Pull it carefully. -There we go. Okay.
Don't move. One, two, three, lift!
That's it, be careful. Hold his head and neck.
Again. One, two, three. That's it.
One more, one more.
One, two, three. Go.
There we go.
Hold on. Take the rope off!
Doctor, please, doctor.
He's lost a lot of blood.
We need to suture or he won't make it to the hospital.
What do you need?
I have everything I need.
Bring a stretcher!
He'll be okay.
Give it your best, buddy. You can do this.
No. It can't be.
-He's alive! -He's alive!
We need to get him to the hospital. A stretcher! Quick!
-We have to take him. -That one, that one.
Move his arm, clear the rocks around his head,
Are you ready?
GENERAL HOSPITAL CARLOS AND ÁNGEL
You've helped rescue more people than anyone.
It's okay to take a break and breathe.
To regain your strength.
We can't just stop hearing Rosario. They pulled me out from there, right?
Yes.
She was next to me.
I know.
We must be really close now.
I know.
We have to keep going.
Okay, let's go.
Rosario!
What's wrong?
Another dead body.
Can it be moved?
No. It's crushed.
-What do we do? -We have to cut it.
-How? -Well, with a saw.
I know what we can do.
Victoria, do you copy? 10-8.
I'm worried. I just want to know if you're okay. 10-8.
I know you're there.
I know you're there, and you're still mad at me.
I overreacted and said things that I don't really mean.
But it was out of fear.
I'm afraid something will happen to you.
That I'll lose you
like I lost your mom.
Or just that you'll leave and never come back.
Pardon my fears. Sometimes they make me act like an idiot.
I respect your decision to help.
I just want to know if you're okay.
10-8.
I'm fine, Grandpa.
10-4.
That's great, dear.
SOS!
Help for the General Hospital!
We hear you. 10-8.
We need a surgical saw at the General Hospital. It's urgent.
I'm on my way. I'll go.
-Victoria? -Yes, I'll bring it.
Tell them the doctors at the General Hospital need it.
Got it. 10-4.
And one more thing.
When you bring it, give it to Chave.
Copy that. 10-4.
Go, dear. You are not alone. I'm here with you. 10-4.
Thanks, Grandpa. 10-4.
Where do we put this?
No, no, that goes in the tents.
You can put it over there.
You've got a lot of ambition, my girl.
Where are you going?
But don't worry.
I'll soon take it away from you.
Now what?
I knew that girl was up to something.
She stole the car.
What did you record with the American's camera?
Where did you leave it?
I don't know.
I don't remember.
You don't remember?
Espitia, a bucket of water and a rag.
You'll see how we refresh your memory. camera?