1
00:00:12,360 --> 00:00:14,231
AW, SHIT.
2
00:00:14,318 --> 00:00:16,581
[ INDISTINCT CONVERSATIONS ]
3
00:00:16,668 --> 00:00:18,366
Woman:
DETECTIVE BOSCH.
4
00:00:18,453 --> 00:00:20,368
DETECTIVE BOSCH,
ANY WORD ON RAYNARD WAITS?
5
00:00:20,455 --> 00:00:23,588
DETECTIVE BOSCH, IS IT TRUE
THAT THE VICTIM WAS A PROSTITUTE
6
00:00:23,675 --> 00:00:25,503
AND THAT HER BODY
WAS FOUND IN A DUMPSTER?
7
00:00:25,590 --> 00:00:29,986
ASK NATE TYLER.
HE KNOWS ALL THE SORDID DETAILS.
8
00:00:30,073 --> 00:00:33,642
[ ALL SPEAKING INDISTINCTLY ]
9
00:00:33,729 --> 00:00:36,514
SHE WORKED THE NEIGHBORHOOD,
SO WE TALKED TO THE MANAGER
10
00:00:36,601 --> 00:00:39,213
OF THE HAWAIIAN SANDS MOTEL
WHERE THE VICTIM TRICKED.
11
00:00:39,300 --> 00:00:40,910
HE DIDN'T SEE WAITS
PICK HER UP,
12
00:00:40,997 --> 00:00:42,564
NEITHER DID
ANY OF HER FRIENDS.
13
00:00:42,651 --> 00:00:44,914
Johnson: AND THAT MINIVAN
WE'RE LOOKING FOR --
14
00:00:45,001 --> 00:00:47,351
A SECURITY CAM ON
A STORAGE FACILITY PICKED IT UP
15
00:00:47,438 --> 00:00:49,614
DRIVING INTO
THE ALLEY 7:42 P.M.,
16
00:00:49,701 --> 00:00:51,660
EXITING
SIX MINUTES LATER.
17
00:00:51,747 --> 00:00:53,705
GRAB A PLATE?
COULDN'T SEE IT.
18
00:00:53,792 --> 00:00:56,273
BUT THERE'S A WAREHOUSE
ACROSS FROM THE MURDER SCENE.
19
00:00:56,360 --> 00:00:58,667
THEY'VE GOT A SECURITY CAMERA
IN THEIR PARKING LOT.
20
00:00:58,754 --> 00:01:00,190
KEEP YOUR FINGERS
CROSSED.
21
00:01:00,277 --> 00:01:01,800
WAITS WENT THROUGH
A LOT OF TROUBLE
22
00:01:01,887 --> 00:01:03,976
TO STAGE THESE MURDERS
LIKE YOUR MOTHER'S.
23
00:01:04,064 --> 00:01:07,502
WHY? WHY IS HE --
WHY IS HE MAKING IT SO PERSONAL?
24
00:01:07,589 --> 00:01:09,156
BOTH CAME THROUGH THE SYSTEM --
SIMILAR PAST.
25
00:01:09,243 --> 00:01:11,027
FUCKIN' BROMANCE,
THAT'S WHAT IT IS --
26
00:01:11,114 --> 00:01:13,899
WAITS' IDEA
OF A BOX OF CHOCOLATES.
27
00:01:13,986 --> 00:01:15,858
LET ME KNOW IF YOU FIND ANYTHING
ON THOSE SURVEILLANCE TAPES.
28
00:01:15,945 --> 00:01:17,468
YOU BETTER HURRY.
29
00:01:17,555 --> 00:01:19,079
YOUR COMPADRE MIGHT NOT BE
AROUND MUCH LONGER.
30
00:01:19,166 --> 00:01:21,690
THEN I'LL MISS YOUR
INSPIRED LEADERSHIP, CAPTAIN.
31
00:01:21,777 --> 00:01:23,431
I'VE LEARNED SO MUCH
FROM YOU.
32
00:01:23,518 --> 00:01:24,693
I'M NOT A LONE VOICE
33
00:01:24,780 --> 00:01:25,955
CRYING IN THE WILDERNESS
ANYMORE, BOSCH.
34
00:01:26,042 --> 00:01:27,304
A LOT OF PEOPLE
ARE ONTO YOU.
35
00:01:27,391 --> 00:01:29,350
TALK TO PATROL, LATELY?
[ CHUCKLES ]
36
00:01:29,437 --> 00:01:32,962
Mankiewicz:
OKAY, NEXT, OFFICER JONES HERE
IS GOING TO REVIEW
37
00:01:33,049 --> 00:01:36,270
THE PENAL-CODE SECTIONS
RELATING TO THE LAWS OF ARREST
38
00:01:36,357 --> 00:01:39,229
THAT YOU ALL RECEIVED
IN YOUR TRAINING BULLETINS.
39
00:01:39,316 --> 00:01:40,535
[ ALL GROAN ]
40
00:01:40,622 --> 00:01:42,493
ALL RIGHT, ALL RIGHT.
41
00:01:42,580 --> 00:01:43,712
I KNOW YOU KNOW THIS.
42
00:01:43,799 --> 00:01:45,017
IT'S A POST REQUIREMENT.
43
00:01:45,105 --> 00:01:48,108
SO LET'S JUST GET THROUGH IT.
44
00:01:48,195 --> 00:01:49,457
DO YOU NEED SOMETHING,
DETECTIVE?
45
00:01:49,544 --> 00:01:51,285
IF YOU DON'T MIND.
I'LL BE QUICK.
46
00:01:51,372 --> 00:01:53,417
ALL RIGHT, COME ON IN.
YOU HAVE THE FLOOR.
47
00:01:53,504 --> 00:01:57,465
AS YOU ALL KNOW, JOHN STOKES
IS NOW THE PRIMARY SUSPECT
48
00:01:57,552 --> 00:02:00,250
IN THE MURDER
OF ARTHUR DELACROIX,
49
00:02:00,337 --> 00:02:01,773
THE LAUREL CANYON BONES CASE.
50
00:02:01,860 --> 00:02:03,471
OH,
BIG FUCKIN' SURPRISE.
51
00:02:03,558 --> 00:02:06,604
HEY, LET THE MAN TALK.
AND WATCH YOUR MOUTH.
52
00:02:06,691 --> 00:02:08,737
WE GOT TO ASSUME STOKES KNOWS
WE'RE AFTER HIM.
53
00:02:08,824 --> 00:02:10,521
HE MISSED HIS LAST APPOINTMENT
WITH HIS P.O.
54
00:02:10,608 --> 00:02:11,827
AND HASN'T BEEN TO WORK.
55
00:02:11,914 --> 00:02:12,915
HE'S IN THE WIND.
56
00:02:13,002 --> 00:02:14,438
YEAH,
WHOSE FAULT IS THAT?
57
00:02:14,525 --> 00:02:16,005
LISTEN, I GET
WHERE YOU'RE COMING FROM,
58
00:02:16,092 --> 00:02:18,355
BUT DETECTIVE BOSCH
PUT THE DELACROIX CASE TOGETHER.
59
00:02:18,442 --> 00:02:19,965
WE WOULDN'T EVEN BE
STANDING HERE TALKING
60
00:02:20,052 --> 00:02:21,576
ABOUT STOKES
IF IT WASN'T FOR HIM.
61
00:02:21,663 --> 00:02:23,186
WE GOT TO FIND THIS GUY.
62
00:02:23,273 --> 00:02:24,666
I NEED YOU TO HIT THE PAVEMENT,
DIG A LITTLE DEEPER.
63
00:02:24,753 --> 00:02:26,537
Edgewood: CAN YOU EVEN CHARGE
THIS ASSHOLE?
64
00:02:26,624 --> 00:02:28,409
IT WAS 20 YEARS AGO.
HE WAS A JUVIE.
65
00:02:28,496 --> 00:02:30,019
LET THE D.A.
FIGURE THAT OUT.
66
00:02:30,106 --> 00:02:32,848
ALL RIGHT, PASS THIS OUT,
PUT THIS ON YOUR VISOR.
67
00:02:32,935 --> 00:02:35,590
CHECK YOUR LOCAL SMOKEHOUSES,
TALK TO YOUR SNITCHES --
68
00:02:35,677 --> 00:02:38,288
ANYONE WHO MIGHT'VE SEEN HIM.
69
00:02:40,421 --> 00:02:42,901
♪ ♪
70
00:03:01,964 --> 00:03:04,836
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
71
00:03:04,923 --> 00:03:07,187
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
72
00:03:07,274 --> 00:03:09,798
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
73
00:03:09,885 --> 00:03:12,844
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
74
00:03:12,931 --> 00:03:15,325
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
75
00:03:15,412 --> 00:03:18,198
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
76
00:03:18,285 --> 00:03:20,330
♪ I GOT A FEELING
AND I CAN'T LET GO ♪
77
00:03:20,417 --> 00:03:22,419
♪ I CAN'T LET GO ♪
78
00:03:34,910 --> 00:03:37,217
♪ I FEEL ♪
79
00:03:44,180 --> 00:03:45,921
Edgar:
I JUST SPOKE TO PATROL.
80
00:03:46,008 --> 00:03:48,489
I ASKED FOR A LITTLE EXTRA
EFFORT ON STOKES.
81
00:03:48,576 --> 00:03:50,882
HOW'D THAT GO?
EDGEWOOD
BUSTED MY BALLS.
82
00:03:50,969 --> 00:03:53,015
OUR JOB'S TO BRING HIM IN
AND CLOSE THE CASE.
83
00:03:53,102 --> 00:03:55,496
TYLER'S ARTICLE?
ASSHOLE.
84
00:03:55,583 --> 00:03:57,411
HANDED WAITS
A FUCKIN' INSTRUCTION MANUAL.
85
00:03:57,498 --> 00:04:00,240
WHAT'S SHE DOING HERE?
86
00:04:00,327 --> 00:04:03,025
JUST GOT ASSIGNED TO
DETECTIVES' -- BILLETS' GRUNT.
87
00:04:03,112 --> 00:04:04,592
MARVELOUS.
88
00:04:07,203 --> 00:04:09,945
LIEUTENANT WANTS ALL
DETECTIVES TO UPGRADE
THEIR PERSONNEL PACKAGES.
89
00:04:10,032 --> 00:04:11,251
SET IT THERE.
90
00:04:12,904 --> 00:04:14,384
DETECTIVE EDGAR.
91
00:04:24,873 --> 00:04:27,397
[ KNOCK ON DOOR ]COME IN.
92
00:04:30,879 --> 00:04:32,489
[ DOOR CLOSES ]
93
00:04:33,969 --> 00:04:36,450
BRASHER.
94
00:04:36,537 --> 00:04:38,495
THEY GOT TO PUT HER
SOMEWHERE.
"THEY"?
95
00:04:38,582 --> 00:04:40,062
YOU MEAN POUNDS.
MM.
96
00:04:40,149 --> 00:04:42,151
CAPTAIN MAKES
THE ASSIGNMENTS.
97
00:04:42,238 --> 00:04:43,892
HE COULD'VE PLACED
HER ANYWHERE -- VICE,
SUBPOENA CONTROL.
98
00:04:43,979 --> 00:04:45,372
HE'S PUTTING IT TO ME.
I DON'T DIG IT.
99
00:04:45,459 --> 00:04:47,112
YOU BROUGHT IT
ON YOURSELF.
HOW?
100
00:04:47,199 --> 00:04:49,985
'CAUSE I DIDN'T BACK
HER FAIRYTALE SHOOTING STORY?
101
00:04:50,072 --> 00:04:51,769
NO, BECAUSE
YOU SLEPT WITH HER.
102
00:04:51,856 --> 00:04:55,295
WHAT IF SHE FILES A BEEF?
YOU COULD BE IN DEEP SHIT.
103
00:04:55,382 --> 00:04:58,776
THANKS
FOR THE HEADS UP.
104
00:04:58,863 --> 00:05:00,735
[ DOOR OPENS ]
105
00:05:00,822 --> 00:05:03,738
[ SIREN WAILING ]
106
00:05:03,825 --> 00:05:05,174
Pimentel: SIR, HAVE YOU SEEN
THIS INDIVIDUAL AT ALL?
107
00:05:28,502 --> 00:05:30,547
[ LATIN MUSIC PLAYS ]
108
00:05:36,945 --> 00:05:39,643
GRACE.
[ SIGHS ]
109
00:05:39,730 --> 00:05:41,993
THANKS FOR COMING.
110
00:05:42,080 --> 00:05:44,779
[ SIGHS ]
I COULD USE A DRINK.
111
00:05:44,866 --> 00:05:46,041
YEAH, I THOUGHT
MAYBE YOU MIGHT.
112
00:05:46,128 --> 00:05:47,347
WHAT ARE YOU HAVING?
113
00:05:47,434 --> 00:05:48,652
FAT TIRE, PLEASE.
114
00:05:48,739 --> 00:05:51,089
UH, AND TEMPLETON
WITH A SPLASH, NEAT.
115
00:05:51,176 --> 00:05:52,656
Bartender: NO PROBLEM.
116
00:05:52,743 --> 00:05:54,832
I THOUGHT YOU
WERE A STOLI GIRL?
117
00:05:54,919 --> 00:05:57,226
EH, FRIEND TURNED ME
ON TO RYE --
118
00:05:57,313 --> 00:05:58,749
KIND OF LIKE IT.
119
00:06:00,621 --> 00:06:02,666
LOOK, HARRY, I'M SORRY
ABOUT THIS MORNING.
120
00:06:02,753 --> 00:06:05,843
YOU WERE RIGHT. I'M
THE ORIGINAL SLOW LEARNER.
121
00:06:05,930 --> 00:06:07,410
NAH, YOU WERE HAVING
A SHITTY DAY,
122
00:06:07,497 --> 00:06:10,152
AND I DID NOT MAKE IT
ANY BETTER.
123
00:06:10,239 --> 00:06:13,198
[ LAUGHS ]
124
00:06:13,285 --> 00:06:15,549
OH, COME ON.
125
00:06:15,636 --> 00:06:18,552
WAITS,
STOKES, BRASHER --
126
00:06:18,639 --> 00:06:21,468
JESUS, HARRY, COULD YOU DIG
THE HOLE ANY DEEPER?
127
00:06:21,555 --> 00:06:23,818
HALFWAY TO CHINA.
YOU FORGOT POUNDS.
128
00:06:23,905 --> 00:06:25,689
YEAH, WHY DOES HE HAVE
SUCH A HARD-ON FOR YOU?
129
00:06:25,776 --> 00:06:27,952
EH, IT GOES BACK
BEFORE YOU WERE THERE.
130
00:06:28,039 --> 00:06:29,432
[ INHALES DEEPLY ]
131
00:06:29,519 --> 00:06:31,782
HE WAS A LIEUTENANT,
RAN THE DETECTIVE BUREAU --
132
00:06:31,869 --> 00:06:33,741
DIDN'T KNOW
WHAT HE WAS DOING.
133
00:06:33,828 --> 00:06:35,743
SHOULD'VE KNOWN
SOMEBODY THAT INCOMPETENT
134
00:06:35,830 --> 00:06:37,527
WAS SURE
TO BE PROMOTED.
135
00:06:37,614 --> 00:06:40,051
YEAH, PROMOTED OFF OUR HARD WORK
IN SPITE OF HIS INEPTITUDE.
136
00:06:40,138 --> 00:06:41,879
TEMPLETON NEAT
AND A FAT TIRE.
137
00:06:41,966 --> 00:06:43,403
THANK YOU.
THANK YOU.
138
00:06:44,186 --> 00:06:45,492
TO CHINA.
139
00:06:49,800 --> 00:06:51,585
AHH.
140
00:06:51,672 --> 00:06:54,588
MY FRIEND SAYS
THAT EVERYTHING THAT HAPPENS
141
00:06:54,675 --> 00:06:58,896
WAS MEANT TO HAPPEN...
BECAUSE IT HAPPENED.
142
00:06:58,983 --> 00:07:01,551
DEEP.
MM.
143
00:07:01,638 --> 00:07:03,466
IS THIS YOUR RYE FRIEND
OR SOME OTHER?
144
00:07:03,553 --> 00:07:05,773
NO, SAME FRIEND.
145
00:07:05,860 --> 00:07:08,079
CLOSE FRIEND.
146
00:07:11,213 --> 00:07:14,216
YOU ARE NOT THE ONLY DUMBASS
IN THE DIVISION.
147
00:07:17,349 --> 00:07:23,007
I AM -- I'M IN A RELATIONSHIP
WITH A COLLEAGUE.
148
00:07:23,094 --> 00:07:24,661
OH.
149
00:07:24,748 --> 00:07:28,317
MAYBE THAT'S WHY I GAVE YOU
SO MUCH SHIT --
150
00:07:28,404 --> 00:07:30,450
MAD AT MYSELF.
151
00:07:33,061 --> 00:07:34,715
[ SIGHS ]
MM.
152
00:07:34,802 --> 00:07:36,673
LET'S HOPE
YOUR FRIEND'S RIGHT.
MM.
153
00:07:36,760 --> 00:07:38,545
IT'S ALL MEANT
TO HAPPEN.[ CHUCKLES SOFTLY ]
154
00:07:38,632 --> 00:07:40,068
[ CELLPHONE RINGS ]
155
00:07:40,155 --> 00:07:41,504
BOSCH.
156
00:07:41,591 --> 00:07:43,288
WAITS: It's New Year's Eve
tomorrow.
157
00:07:43,375 --> 00:07:44,855
Any plans?
158
00:07:44,942 --> 00:07:47,162
OTHER THAN FINDING YOU?
NO.
159
00:07:47,249 --> 00:07:50,774
AH, I LIKE YOUR
CAN-DO ATTITUDE, HARRY --
160
00:07:50,861 --> 00:07:53,168
SOMETHING ELSE
WE SHARE.
161
00:07:53,255 --> 00:07:54,996
WHAT ARE YOUR PLANS?
162
00:07:55,083 --> 00:07:57,651
WELL, I DO HAVE PLANS.
163
00:07:57,738 --> 00:08:03,744
WELL, I'D SAY MORE
OF A NEW YEAR'S RESOLUTION.
164
00:08:03,831 --> 00:08:05,049
YEAH?
165
00:08:05,136 --> 00:08:07,225
You know, Harry,
these phone calls,
166
00:08:07,312 --> 00:08:10,794
THEY'RE JUST NOT THE SAME
AS FACE-TO-FACE.
167
00:08:10,881 --> 00:08:14,276
I LIKE TO LOOK INTO
A PERSON'S EYES.
168
00:08:14,363 --> 00:08:18,628
Still, I'm -- I'm gonna miss
these conversations.
169
00:08:18,715 --> 00:08:19,890
HOW'S THAT?
170
00:08:19,977 --> 00:08:22,589
IT'S TIME
FOR ME TO GO AWAY.
171
00:08:22,676 --> 00:08:26,157
GO AWAY?
YOU MEAN TO YOUR MAGIC CASTLE?
172
00:08:26,244 --> 00:08:29,073
OH, YOU KNOW
ABOUT THAT, HUH?
173
00:08:29,160 --> 00:08:30,727
Sure.
174
00:08:30,814 --> 00:08:34,078
That's where
Reynard the Fox goes -- to wait.
175
00:08:34,165 --> 00:08:36,037
HOW'S
THAT SUMP PUMP WORKING?
176
00:08:36,124 --> 00:08:37,560
CASTLE A LITTLE DRIER?
177
00:08:37,647 --> 00:08:39,083
OH, CONGRATULATIONS.
178
00:08:39,170 --> 00:08:42,826
YOU FIGURED OUT
MY NOM DE GUERRE -- FINALLY.
179
00:08:42,913 --> 00:08:46,395
I'D BEGINNING TO WONDER
IF YOU EVER WOULD.
180
00:08:46,482 --> 00:08:47,875
I'm getting off now.
181
00:08:47,962 --> 00:08:50,181
WE ALSO KNOW
ABOUT MacLAREN.
182
00:08:50,268 --> 00:08:52,967
IS THAT WHY
YOU SINGLED ME OUT --
183
00:08:53,054 --> 00:08:55,317
DOGS
FROM THE SAME KENNEL?
184
00:08:55,404 --> 00:08:59,190
When they put you in the trunk,
Waits, how'd you do time?
185
00:08:59,277 --> 00:09:01,105
I did baseball stats.
186
00:09:01,192 --> 00:09:03,717
YOU'RE JUST TRYING
TO KEEP ME TALKING.
187
00:09:03,804 --> 00:09:07,242
BY THE WAY, I KNOW HOW YOU
FOUND OUT ABOUT THE STARFISH.
188
00:09:07,329 --> 00:09:09,853
YEAH, I WAS PROUD
OF THAT ONE.
189
00:09:09,940 --> 00:09:12,595
I'M GETTING
OFF THE PHONE NOW.
190
00:09:12,682 --> 00:09:14,205
WE'RE CLOSER
THAN YOU THINK.
191
00:09:14,292 --> 00:09:16,207
A BIENTOÔT, HARRY.
192
00:09:16,294 --> 00:09:18,558
[ CELLPHONE BEEPS ]
193
00:09:31,919 --> 00:09:34,748
SO, WE GOT ANOTHER PIC
OF THE VAN FROM THAT WAREHOUSE.
194
00:09:34,835 --> 00:09:36,793
Johnson: WE GOT
THE PLATES, TOO.
195
00:09:36,880 --> 00:09:40,101
UNFORTUNATELY, THEY BELONG
ON A 2001 HONDA ACCORD --
196
00:09:40,188 --> 00:09:42,712
OWNER HAD IT IN LONG-TERM
PARKING AT L.A.X.
197
00:09:42,799 --> 00:09:44,627
YOU CAN SEE
THE DRIVER'S FACE.
198
00:09:44,714 --> 00:09:46,368
IT'S OBSCURED
BY THE VISOR,
199
00:09:46,455 --> 00:09:48,196
BUT LOOK AT THAT
IN THE REARVIEW.
200
00:09:49,458 --> 00:09:50,807
IT'S A HANDICAP TAG.
201
00:09:50,894 --> 00:09:53,549
HMM.SAID HIS MOTHER
WAS INFIRM.
202
00:09:53,636 --> 00:09:55,725
WELL, WE'RE STILL GOING THROUGH
THE MacLAREN FILES.
203
00:09:55,812 --> 00:09:57,509
WE'RE TRYING TO NARROW DOWN
THE KIDS
204
00:09:57,597 --> 00:10:00,556
WHO BOTH FIT THE TIME FRAME
AND SPENT TIME IN ISOLATION.
205
00:10:00,643 --> 00:10:02,645
THINK THEY MIGHT'VE
DIGITIZED THIS SHIT?
206
00:10:02,732 --> 00:10:04,604
WE STILL HAVE
SEVERAL HUNDRED TO GO.
207
00:10:04,691 --> 00:10:06,127
WHAT ELSE YOU GONNA DO
ON NEW YEAR'S?
208
00:10:06,214 --> 00:10:07,258
[ BOTH CHUCKLE ]
209
00:10:12,829 --> 00:10:14,875
[ BABY COOING ]
210
00:10:23,361 --> 00:10:25,973
EXCUSE ME.
A-ARE THESE YOURS?
211
00:10:26,060 --> 00:10:27,235
NO.
212
00:10:27,322 --> 00:10:28,628
OH.
213
00:10:28,715 --> 00:10:30,325
AH, THEY'RE PERSOLS.
I FOUND THEM.
214
00:10:30,412 --> 00:10:32,414
SOMEONE'S GONNA BE LOOKING
FOR THEM.
215
00:10:32,501 --> 00:10:35,722
I WONDER IF THERE'S
A LOST-AND-FOUND AROUND
HERE OR SOMETHING.
216
00:10:35,809 --> 00:10:39,247
OH, UH,
I DON'T KNOW.
217
00:10:39,334 --> 00:10:41,553
OH,
WHAT A BEAUTIFUL BABY.[ CHUCKLES ]
218
00:10:41,641 --> 00:10:43,294
[ GASPS ]
HI. HOW OLD?
219
00:10:43,381 --> 00:10:44,426
SIX MONTHS.
220
00:10:44,513 --> 00:10:46,776
OH, HE'S JUST
A LITTLE GUY.
221
00:10:46,863 --> 00:10:48,212
LOOK AT HIM.[ BABY COOING ]
222
00:10:48,299 --> 00:10:49,561
[ Singsong voice ]
HEY, YOU.
223
00:10:49,649 --> 00:10:50,562
[ Normal voice ]
WE HAVE AN 8-YEAR-OLD.
224
00:10:50,650 --> 00:10:51,868
AWW.
YEAH. YEAH.
225
00:10:51,955 --> 00:10:54,088
THEY GROW UP FAST.
BE GOOD TO YOUR KIDS.
226
00:10:54,175 --> 00:10:55,219
YEAH,
THAT'S WHAT EVERYBODY SAYS.
227
00:10:55,306 --> 00:10:56,699
[ CHUCKLES ]
228
00:10:56,786 --> 00:10:59,006
BOY, THAT'S SUCH A RELIEF --
ISN'T IT? --
229
00:10:59,093 --> 00:11:01,835
WHEN THEY FINALLY
FALL ASLEEP.
[ SIGHS ]
230
00:11:01,922 --> 00:11:03,663
GIVE YOU A LITTLE TIME
TO YOURSELF.
OH, YEAH.
231
00:11:03,750 --> 00:11:05,534
[ Singsong voice ]
THEY DO KEEP YOU BUSY.
232
00:11:05,621 --> 00:11:08,668
YEAH.
[ CHUCKLES ]
233
00:11:08,755 --> 00:11:11,105
MM.
234
00:11:13,063 --> 00:11:16,893
[ SIREN WAILING IN DISTANCE ]
235
00:11:18,939 --> 00:11:20,854
Bosch:
NO, IT'S DOWNLOADED.
236
00:11:20,941 --> 00:11:23,857
IT [SIGHS]
I -- YEAH, I SET UP THE ACCOUNT.
237
00:11:23,944 --> 00:11:25,989
HOLD ON.
I'M GONNA PUT YOU ON SPEAKER.
238
00:11:26,076 --> 00:11:28,426
[ CELLPHONE BEEPS ]CAN YOU HEAR ME?
239
00:11:28,513 --> 00:11:31,386
MADDIE: Yeah.
Scroll through your contacts.
240
00:11:31,473 --> 00:11:34,781
I ONLY HAVE
ONE CONTACT -- YOU.
241
00:11:34,868 --> 00:11:36,173
Well, click on me,
242
00:11:36,260 --> 00:11:39,655
and then click
where it says "video call."
243
00:11:39,742 --> 00:11:40,787
[ COMPUTER BEEPS ]
244
00:11:40,874 --> 00:11:42,223
HEY, I CAN SEE YOU.
245
00:11:42,310 --> 00:11:44,007
[ Echoing ]
ALL RIGHT, TURN OFF YOUR PHONE.
246
00:11:44,094 --> 00:11:45,313
OKAY.[ CELLPHONE BEEPS ]
247
00:11:45,400 --> 00:11:47,619
YOU DID IT, HARRY.
248
00:11:47,707 --> 00:11:49,970
MOM DOESN'T KNOW
WHAT SHE'S TALKING ABOUT.WHAT DO YOU MEAN?
249
00:11:50,057 --> 00:11:51,841
SHE SAYS WHEN IT COMES TO
COMPUTERS, YOU'RE HOPELESS.
250
00:11:51,928 --> 00:11:54,757
YOU'RE BRUISED.
YOU SHOULD GO SEE A DOCTOR.
251
00:11:54,844 --> 00:11:56,411
I TOLD YOU I'M FINE.
252
00:11:56,498 --> 00:11:58,979
CAN WE PLEASE NOT TALK ABOUT
THE ACCIDENT?
253
00:11:59,066 --> 00:12:01,155
WANT TO MAKE SURE
YOU DON'T HAVE WHIPLASH.
254
00:12:01,242 --> 00:12:02,896
Maddie:
MOM HAS SO OVERREACTED.
255
00:12:02,983 --> 00:12:04,245
NOT ONLY AM I GROUNDED,
256
00:12:04,332 --> 00:12:06,160
BUT SHE'S MONITORING
MY FACEBOOK.
257
00:12:06,247 --> 00:12:08,292
HARRY, THE ACCIDENT
WASN'T MY FAULT.
258
00:12:08,379 --> 00:12:11,774
YEAH, WELL, MADS, YOU HAD
NO BUSINESS BEING IN THAT CAR.
259
00:12:11,861 --> 00:12:13,428
THE DRIVER
WAS A MINOR, RIGHT?
260
00:12:13,515 --> 00:12:15,865
NOT SUPPOSED TO BE DRIVING
OTHER KIDS.
261
00:12:15,952 --> 00:12:17,737
[ SIGHS ]
YEAH. I MESSED UP.
262
00:12:17,824 --> 00:12:19,477
I SAID I WAS SORRY.
263
00:12:19,564 --> 00:12:22,437
I JUST DON'T UNDERSTAND
WHY SHE HAS TO TORTURE ME.
264
00:12:22,524 --> 00:12:25,048
[ KNOCK ON DOOR ]Eleanor: MADDIE?
265
00:12:25,135 --> 00:12:26,746
I'M TALKING TO HARRY.
266
00:12:26,833 --> 00:12:29,444
SEE?
SHE WON'T LEAVE ME ALONE.
267
00:12:29,531 --> 00:12:30,924
WHEN CAN I COME
AND SEE YOU?
268
00:12:31,011 --> 00:12:32,969
AS SOON
AS I CLOSE THIS CASE.
269
00:12:33,056 --> 00:12:34,275
DINNER'S ON THE TABLE.
270
00:12:34,362 --> 00:12:36,886
OKAY.
271
00:12:36,973 --> 00:12:38,061
I GOT TO GO.
272
00:12:38,148 --> 00:12:39,410
DON'T WORK SO HARD.
273
00:12:39,497 --> 00:12:40,890
I LOVE YOU.
274
00:12:40,977 --> 00:12:42,326
HAPPY NEW YEAR. I LOVE YOU, TOO.
275
00:12:42,413 --> 00:12:43,197
HAPPY NEW YEAR.
276
00:12:43,284 --> 00:12:44,241
[ COMPUTER BEEPS ]
277
00:12:48,985 --> 00:12:51,901
[ BABY CRYING ]
278
00:12:59,213 --> 00:13:00,388
HELLO?
279
00:13:06,873 --> 00:13:07,917
HELLO?
280
00:13:08,004 --> 00:13:09,440
[ CRYING CONTINUES ]
281
00:13:19,189 --> 00:13:20,321
[ HARD ROCK MUSIC PLAYS ]
282
00:13:20,408 --> 00:13:21,801
OH!
283
00:13:23,715 --> 00:13:25,369
BOTTOMS UP.
PHEW!
284
00:13:25,456 --> 00:13:27,458
THERE YOU GO.Man: AH!
285
00:13:27,545 --> 00:13:28,590
'SUP.
286
00:13:28,677 --> 00:13:29,678
HAPPY NEW YEAR,
PIERCE.
287
00:13:29,765 --> 00:13:31,811
SAME TO YOU, GEORGE.
288
00:13:31,898 --> 00:13:33,334
YEAH.
HOW'S THAT NEW PARTNER?
289
00:13:33,421 --> 00:13:36,380
GOOD. THANKS.
HOW ARE YOU?
290
00:13:36,467 --> 00:13:39,253
AH, I'M CHANGING TRACKS --
GOING INSIDE.
291
00:13:39,340 --> 00:13:41,559
NEXT D.P.
IS DOWNTOWN FOR ME.
292
00:13:41,646 --> 00:13:44,432
[ CHUCKLES ]
PLANNING AND RESEARCH.
293
00:13:44,519 --> 00:13:46,782
YOU? POGUE JOB?
UH-HUH.
294
00:13:46,869 --> 00:13:48,131
THOUGHT YOU LOVED
THE STREETS.
295
00:13:48,218 --> 00:13:49,611
DEAD END.
296
00:13:49,698 --> 00:13:52,962
NAH. COMMAND'S WHERE
YOU WANT TO BE, BROTHER.
297
00:13:53,049 --> 00:13:55,051
[ MUSIC CONTINUES ]
298
00:14:04,582 --> 00:14:06,671
[ KEYS JINGLING ]
299
00:14:20,033 --> 00:14:22,122
[ MUFFLED SCREAMS ]
300
00:14:32,088 --> 00:14:34,090
Waits:
HERE WE ARE.
301
00:14:34,177 --> 00:14:37,528
[ R&B MUSIC PLAYS,
INDISTINCT CONVERSATIONS ]
302
00:14:37,615 --> 00:14:40,096
Johnson: NEED ANYTHING THAT'S
IN WRITING, IT'D BE BRAILLE.
303
00:14:40,183 --> 00:14:42,055
AND IF YOU DO GET AN INVI--HEY, BARREL.
304
00:14:42,142 --> 00:14:43,970
HEY! HAPPY NEW YEAR.YEAH, HAPPY NEW YEAR.
305
00:14:44,057 --> 00:14:45,928
HEY, RENEE.HEY. HOW ARE YOU?
306
00:14:46,015 --> 00:14:47,712
THIS IS MARISSA.HEY.
HI.
307
00:14:47,799 --> 00:14:49,323
I LOVE YOUR DRESS.
ARE THOSE PEACOCKS?
308
00:14:49,410 --> 00:14:51,978
OH, WELL, I HAVE A THING
FOR PEACOCKS.
309
00:14:52,065 --> 00:14:53,544
GREW UP
IN ROLLING HILLS.
310
00:14:53,631 --> 00:14:55,720
THERE WERE
LOTS OF THEM -- WILD.
311
00:14:55,807 --> 00:14:58,071
THEY MAKE SUCH A RACKET,
PEOPLE SHOOT 'EM NOW --
312
00:14:58,158 --> 00:14:59,376
A PEACOCK VIGILANTE.
313
00:14:59,463 --> 00:15:02,423
[ LAUGHS ]THAT'S AWFUL.
314
00:15:02,510 --> 00:15:04,120
WELL, IT'S JUST A FACT.
LOT OF RUFFLED FEATHERS.
315
00:15:04,207 --> 00:15:05,730
[ BOTH CHUCKLE ]
316
00:15:05,817 --> 00:15:07,863
- HOW'S CRATE?
- GREAT.
317
00:15:07,950 --> 00:15:09,604
HE'S BUSTING OUT
OF THE HOSPITAL TOMORROW.
318
00:15:09,691 --> 00:15:11,736
- AH. TO CRATE.
- TO CRATE.
319
00:15:14,565 --> 00:15:16,654
HEY, GUYS.
GET YOU ANYTHING?
320
00:15:16,741 --> 00:15:17,917
Edgar: I'M FINE.
321
00:15:18,004 --> 00:15:19,527
OKAY.THANK YOU.
322
00:15:19,614 --> 00:15:21,398
SO, HE'S GETTING OUT
TOMORROW.
323
00:15:21,485 --> 00:15:23,226
HE'S GETTING OUT TOMORROW.
STARTING TO TALK...
324
00:15:25,054 --> 00:15:27,143
[ MUSIC CONTINUES
IN BACKGROUND ]
325
00:15:34,107 --> 00:15:35,978
JUST A MINUTE.
326
00:15:43,116 --> 00:15:44,944
HAPPY NEW YEAR.
327
00:15:45,031 --> 00:15:46,815
HAPPY NEW YEAR.
328
00:15:56,216 --> 00:15:58,696
[ WOMAN CRYING ]
329
00:16:04,224 --> 00:16:07,488
[ MUFFLED MOANING, SCREAMING ]
330
00:16:07,575 --> 00:16:09,272
Waits:
HEY, SIT DOWN.
331
00:16:11,274 --> 00:16:14,277
SHH!
332
00:16:14,364 --> 00:16:16,540
[ CRYING, GAGGING ]
333
00:16:16,627 --> 00:16:19,021
ARE YOU GONNA BE QUIET?
334
00:16:19,108 --> 00:16:20,718
HUH?
MM-HMM.
335
00:16:20,805 --> 00:16:22,416
[ RETCHES ]
EW.
336
00:16:22,503 --> 00:16:25,419
[ CRYING, GASPING ]
337
00:16:25,506 --> 00:16:27,029
MY BABY.
338
00:16:27,116 --> 00:16:28,596
OH, HE'LL BE FINE.
339
00:16:31,773 --> 00:16:34,080
HAVE SOME WATER.
340
00:16:34,167 --> 00:16:35,385
COME ON.
341
00:16:35,472 --> 00:16:37,561
COME ON.
342
00:16:37,648 --> 00:16:39,128
COME ON.
343
00:16:39,215 --> 00:16:40,825
[ GULPING ]
344
00:16:40,912 --> 00:16:43,654
♪ YOU SAID
YOU'D ALWAYS BE TRUE ♪
345
00:16:43,741 --> 00:16:45,613
HEY!
HARRY!
346
00:16:45,700 --> 00:16:46,701
[ LAUGHS ]
347
00:16:46,788 --> 00:16:47,963
I DIDN'T THINK
YOU'D SHOW.
348
00:16:48,050 --> 00:16:49,530
HOW YOU COMING
WITH THOSE MacLAREN FILES?
349
00:16:49,617 --> 00:16:51,314
OH, JESUS.
350
00:16:51,401 --> 00:16:53,360
HAPPY NEW YEAR
TO YOU, TOO.
351
00:16:53,447 --> 00:16:55,536
HAPPY NEW YEAR.[ CHUCKLES ]
352
00:16:55,623 --> 00:16:56,580
HEY, BEAUTIFUL.
353
00:16:56,667 --> 00:16:57,799
OH, HI, HARRY.
354
00:16:57,886 --> 00:16:59,540
Edgar:
HARRY. THIS IS MARISSA.
355
00:16:59,627 --> 00:17:02,151
NICE TO MEET YOU.
356
00:17:02,238 --> 00:17:03,500
WHERE'S GRACE?
357
00:17:03,587 --> 00:17:05,067
- YEAH.
- GRACE.
358
00:17:05,154 --> 00:17:08,766
OH. WOW.
ALERT THE PRESS. YOU'RE HERE.
359
00:17:08,853 --> 00:17:10,203
MWAH![ CELLPHONE RINGING ]
360
00:17:10,290 --> 00:17:11,682
THANK YOU.
THIS IS GREAT.
361
00:17:11,769 --> 00:17:13,206
[ CELLPHONES RINGING, VIBRATING,
AND BEEPING ]
362
00:17:13,293 --> 00:17:14,337
WHAT'S THAT?
363
00:17:14,424 --> 00:17:16,513
[ KEYPADS CLICKING ]
364
00:17:16,600 --> 00:17:18,689
[ RINGING, VIBRATING,
AND BEEPING CONTINUES ]
365
00:17:25,392 --> 00:17:28,351
♪ WELL, I SEEN YOU
WITH MISS MARY ♪
366
00:17:28,438 --> 00:17:30,440
BEHIND ME
IS THE VICTIM'S CAR.
367
00:17:30,527 --> 00:17:32,834
HER 6-MONTH-OLD BABY, WHO
WAS LEFT ALONE IN HIS STROLLER,
368
00:17:32,921 --> 00:17:34,749
APPEARED TO BE UNHARMED.
369
00:17:34,836 --> 00:17:37,360
HE WAS TAKEN TO CHILDREN'S
HOSPITAL FOR OBSERVATION.
370
00:17:37,447 --> 00:17:39,232
Man on TV:
THANK YOU, TINA.
371
00:17:39,319 --> 00:17:41,886
IN ADDITION, KCYD HAS LEARNED
THAT THE SUSPECT LEFT
372
00:17:41,973 --> 00:17:44,324
A MACABRE NOTE
IN THE BABY'S CARRIAGE --
373
00:17:44,411 --> 00:17:46,021
QUOTING NOW --
374
00:17:46,108 --> 00:17:48,067
"RAYNARD WAITS WISHES YOU
A HAPPY NEW YEAR."
375
00:17:48,154 --> 00:17:49,807
MOTHERFUCKER.
376
00:17:49,894 --> 00:17:51,461
MS. LYNDON'S HUSBAND
REPORTED HER MISSING
377
00:17:51,548 --> 00:17:53,333
AFTER SHE AND THE BABY
FAILED TO RETURN HOME
378
00:17:53,420 --> 00:17:54,899
FROM AN OUTING IN ECHO PARK.
379
00:17:54,986 --> 00:17:56,553
HER HUSBAND SAYS MS. LYNDON
380
00:17:56,640 --> 00:17:58,773
FREQUENTLY MEETS
OTHER MOTHERS IN THE PARK,
381
00:17:58,860 --> 00:18:01,254
BUT TODAY WENT ALONE.
382
00:18:01,341 --> 00:18:04,257
WAITS, THE SELF-CONFESSED
SERIAL KILLER,
383
00:18:04,344 --> 00:18:06,389
ESCAPED FROM LAPD CUSTODY
TWO WEEKS AGO... Billets: WHERE'S BOSCH?
384
00:18:06,476 --> 00:18:10,306
TOOK OFF AS SOON
AS THIS CAME ON. ...SPARKING A CITY-WIDE MANHUNT
385
00:18:10,393 --> 00:18:14,397
AND TERRORIZING CITIZENS
DURING THIS HOLIDAY SEASON.
386
00:18:14,484 --> 00:18:16,530
WHAT'S HE DOING?
WHY THIS WOMAN?
387
00:18:16,617 --> 00:18:18,575
ELEANOR:
It's about you, Harry.
388
00:18:18,662 --> 00:18:22,362
THE LAST MURDER IMITATED
YOUR MOTHER'S.
389
00:18:22,449 --> 00:18:25,408
THIS ABDUCTION,
IT'S RELATED.
390
00:18:25,495 --> 00:18:26,670
How so?
391
00:18:26,757 --> 00:18:28,411
[ SIGHS ]
392
00:18:28,498 --> 00:18:30,674
THE WOMAN IN THE ALLEY
REPRESENTS
393
00:18:30,761 --> 00:18:33,590
HOW SOCIETY SAW YOUR MOTHER,
AS A PROSTITUTE.
394
00:18:33,677 --> 00:18:36,158
THIS YOUNG WOMAN REPRESENTS
HOW YOU SAW YOUR MOTHER,
395
00:18:36,245 --> 00:18:38,247
AS LOVING AND PURE.
396
00:18:38,334 --> 00:18:40,119
He wants
this to hurt.
397
00:18:40,206 --> 00:18:41,511
THE FOUR OTHER VICTIMS,
398
00:18:41,598 --> 00:18:44,514
HE LEFT THEIR BODIES
SO THEY COULD BE FOUND.
399
00:18:44,601 --> 00:18:46,473
BUT THIS WOMAN --
NO BODY.
400
00:18:46,560 --> 00:18:48,431
SHE COULD BE ALIVE
STILL.
401
00:18:48,518 --> 00:18:49,954
I think you're right.
402
00:18:50,041 --> 00:18:52,218
I THINK IT'S ALL PART
OF HIS ENDGAME.
403
00:18:52,305 --> 00:18:54,785
I THINK HE'S USING HER AS BAIT
FOR YOU, HARRY.
404
00:18:54,872 --> 00:18:57,397
THANKS, ELEANOR.
405
00:18:57,484 --> 00:18:58,702
[ CELLPHONE BEEPS ]
406
00:19:05,927 --> 00:19:08,843
YOU'LL BE ASLEEP
WHEN I GET BACK.
407
00:19:08,930 --> 00:19:10,845
[ SMOOCHES ]
408
00:19:10,932 --> 00:19:13,717
SWEET DREAMS, HARRY.
409
00:19:13,804 --> 00:19:16,067
I LOVE YOU.
410
00:19:24,902 --> 00:19:27,601
SECURITY WAS HEIGHTENED
AT THIS YEAR'S ROSE PARADE
411
00:19:27,688 --> 00:19:30,734
AFTER THE ABDUCTION LAST NIGHT
OF HEATHER LYNDON.
412
00:19:30,821 --> 00:19:33,041
LAPD CHIEF OF POLICE
JOHN TENZER
413
00:19:33,128 --> 00:19:36,914
HAS MOBILIZED THE DEPARTMENT,
PUTTING IT ON TACTICAL ALERT
414
00:19:37,001 --> 00:19:40,353
UNTIL THE SUSPECT,
RAYNARD WAITS, IS APPREHENDED.
415
00:19:40,440 --> 00:19:43,965
Tenzer: ALL OFFICERS WILL BE
ON MANDATORY 12-HOUR SHIFTS,
416
00:19:44,052 --> 00:19:46,141
WITH THE DEFERMENT
OF DAYS OFF
417
00:19:46,228 --> 00:19:48,622
AND THE RECALLING
OF OFF-DUTY OFFICERS.
418
00:19:48,709 --> 00:19:51,102
MR. WAITS' ACTIONS
WILL NOT GO UNANSWERED.
419
00:19:51,190 --> 00:19:53,757
HE WILL BE BROUGHT TO JUSTICE.
420
00:19:57,413 --> 00:19:58,675
[ METAL CLATTERING ]
421
00:20:03,724 --> 00:20:06,292
DO YOU NEED THIS?
I WILL HELP YOU.
422
00:20:08,337 --> 00:20:09,469
[ RAT SQUEAKING ]
423
00:20:10,383 --> 00:20:11,993
DO YOU SEE THAT?
424
00:20:12,080 --> 00:20:14,691
I PUT DOWN MOTHBALLS,
THEY STILL COME.
425
00:20:14,778 --> 00:20:16,650
PLEASE.
426
00:20:16,737 --> 00:20:18,521
LET ME GO.
427
00:20:18,608 --> 00:20:21,568
I CAN'T DO THAT.
428
00:20:21,655 --> 00:20:24,788
WHY?
WHY AM I HERE?
429
00:20:24,875 --> 00:20:28,183
I NEED YOU.
430
00:20:32,318 --> 00:20:34,929
I'M SORRY
IT'S SO DAMP DOWN HERE.
431
00:20:35,016 --> 00:20:36,757
IT'S BEEN A WET WINTER.
432
00:20:36,844 --> 00:20:39,499
I GOT TO MAKE A CALL.
THE RECEPTION'S NOT VERY GOOD.
433
00:20:39,586 --> 00:20:40,804
PLEASE!
434
00:20:47,768 --> 00:20:49,160
[ ELEVATOR BELL DINGS ]
435
00:20:49,248 --> 00:20:50,336
NATE TYLER.
436
00:20:50,423 --> 00:20:52,207
WAITS:
This is Raynard Waits.
437
00:20:55,732 --> 00:20:57,343
OKAY.
438
00:20:57,430 --> 00:20:59,649
HOW DO I KNOW
IT'S REALLY YOU?
439
00:20:59,736 --> 00:21:02,913
BECAUSE THE WOMAN
I TOOK HAD A CORAL NECKLACE.
440
00:21:03,000 --> 00:21:06,177
YOU COULD CHECK THAT OUT
WITH THE POLICE.
441
00:21:08,615 --> 00:21:09,964
SHE'S STILL ALIVE?
442
00:21:10,051 --> 00:21:12,183
I didn't call you
to talk about her.
443
00:21:12,271 --> 00:21:15,709
YOU DID A VERY GOOD JOB
WRITING ABOUT DETECTIVE BOSCH --
444
00:21:15,796 --> 00:21:19,321
VERY TOUCHING HOW YOU DESCRIBED
HIS MOTHER'S MURDER.
445
00:21:19,408 --> 00:21:22,063
I-I FOUND IT
VERY INSPIRATIONAL.
446
00:21:22,150 --> 00:21:24,283
INSPIRATIONAL?
447
00:21:24,370 --> 00:21:27,329
I WANT YOU
TO WRITE MY STORY.
448
00:21:29,766 --> 00:21:31,899
UH...
449
00:21:31,986 --> 00:21:33,248
OKAY.
450
00:21:33,335 --> 00:21:35,076
I CAN DO THAT.
451
00:21:35,163 --> 00:21:37,426
That's all
you could say?
452
00:21:37,513 --> 00:21:39,472
HOW ABOUT,
"THANK YOU"?
453
00:21:39,559 --> 00:21:42,475
HOW ABOUT,
"I'D BE FUCKING HONORED"?
454
00:21:42,562 --> 00:21:45,478
OKAY. THANK YOU.
455
00:21:45,565 --> 00:21:46,696
Like my mother
used to say,
456
00:21:46,783 --> 00:21:49,960
"GOOD MANNERS
COST NOTHING."
457
00:21:50,047 --> 00:21:51,701
YOU MIND
IF I RECORD THIS?
458
00:21:51,788 --> 00:21:52,920
Whatever.
459
00:21:53,007 --> 00:21:56,315
JUST GET IT RIGHT.
460
00:22:10,720 --> 00:22:11,939
SURPRISED
TO HEAR FROM YOU.
461
00:22:12,026 --> 00:22:13,680
EXCLUSIVE
WITH A SERIAL KILLER --
462
00:22:13,767 --> 00:22:15,856
I THOUGHT YOU'D GO
STRAIGHT TO PRESS.
463
00:22:15,943 --> 00:22:19,686
I KNOW THAT YOU THINK
I'M AN ASSHOLE.
464
00:22:19,773 --> 00:22:22,732
I COULDN'T KNOW
TRENT WAS GONNA KILL HIMSELF
465
00:22:22,819 --> 00:22:25,822
OR THAT WAITS WOULD...
MURDER THAT WOMAN.
466
00:22:25,909 --> 00:22:27,824
'CAUSE OF WHAT
YOU WROTE.
467
00:22:27,911 --> 00:22:32,002
LOOK, I DON'T WANT
ANYBODY ELSE TO DIE, OKAY?
468
00:22:32,089 --> 00:22:35,484
CALL YOU ON YOUR CELL
OR LANDLINE?
469
00:22:35,571 --> 00:22:36,703
CELL.
470
00:22:36,790 --> 00:22:38,487
YOU RECORD
THE CONVERSATION?
471
00:22:38,574 --> 00:22:40,141
GIMME THE PHONE.
472
00:22:40,228 --> 00:22:42,578
I CAN'T GIVE IT TO YOU.
YOU KNOW THAT.
473
00:22:42,665 --> 00:22:44,101
BE BREAKING EVERY RULE
OF JOURNALISM.
474
00:22:44,188 --> 00:22:45,755
GIMME THE PHONE.
YOU CAN'T HAVE IT BOTH WAYS.
475
00:22:45,842 --> 00:22:46,887
IF THE TIMES FOUND OUT,
476
00:22:46,974 --> 00:22:49,585
I'D BE CRUCIFIED.
477
00:22:49,672 --> 00:22:51,021
[ SIGHS ]
478
00:22:52,980 --> 00:22:55,548
WHAT IF HE CALLS BACK
TO CHECK IN ON THINGS?
479
00:22:55,635 --> 00:22:56,984
HE SAID HE WOULD.
480
00:22:57,071 --> 00:22:58,420
WE'LL TRANSCRIBE
THE CONVERSATION,
481
00:22:58,507 --> 00:22:59,769
HAVE YOUR PHONE BACK TO YOU
IN AN HOUR.
482
00:22:59,856 --> 00:23:01,249
WHEN HE DOES
CALL YOU BACK,
483
00:23:01,336 --> 00:23:02,903
TELL HIM THE PROFILE
IS BIGGER THAN MINE --
484
00:23:02,990 --> 00:23:04,557
BETTER, TOO.
485
00:23:04,644 --> 00:23:06,385
KEEP HIM TALKING.
SEE IF HE'LL MEET YOU.
486
00:23:07,864 --> 00:23:08,778
HOLD ON.
487
00:23:10,780 --> 00:23:12,347
I HELPED YOU OUT.
488
00:23:12,434 --> 00:23:14,349
YOU OWE ME, RIGHT?
489
00:23:14,436 --> 00:23:16,003
I OWE YOU NOTHING.
490
00:23:23,837 --> 00:23:24,794
[ SIGHS ]
491
00:23:24,881 --> 00:23:26,666
[ SIREN CHIRPS ]
492
00:23:26,753 --> 00:23:29,538
Bosch: "MY TRUE NAME
WILL COME OUT IN DUE COURSE,
493
00:23:29,625 --> 00:23:31,497
"AND IT IS A NAME
THAT NO ONE WILL EVER FORGET.
494
00:23:31,584 --> 00:23:33,281
"I AM THE ONLY ONE
WHO KNOWS THE TRUTH.
495
00:23:33,368 --> 00:23:36,327
"I WILL EXPOSE AND PUNISH
THE OPPRESSORS AND ABUSERS.
496
00:23:36,415 --> 00:23:40,375
I HAVE BUILT A MONUMENT TO SERVE
AS A REMINDER OF MY JUSTICE."
497
00:23:40,462 --> 00:23:42,812
HE JUST GO ON LIKE THAT?
THERE ANYTHING WE CAN USE?
498
00:23:42,899 --> 00:23:45,772
BLASEÉ, BLASEÉ, BLIP, BLIP,
BLIP -- PSYCHOSIS ON PARADE.
499
00:23:45,859 --> 00:23:47,730
THEN HE SAYS,
"MY MOTHER WOULD TAKE ME TO SEE
500
00:23:47,817 --> 00:23:49,558
"THE LADY OF THE LAKE.
501
00:23:49,645 --> 00:23:51,299
"MY MOTHER WOULD SAY,
'YOU WON'T ALWAYS HAVE ME,
502
00:23:51,386 --> 00:23:53,301
BUT YOU WILL ALWAYS HAVE
THE LADY OF THE LAKE.'"
503
00:23:53,388 --> 00:23:56,870
"LADY OF THE LAKE"?
WHAT IS THAT, LIKE A MOVIE?
504
00:23:56,957 --> 00:23:58,567
IT'S A STATUE --
ECHO PARK.
505
00:23:58,654 --> 00:23:59,612
ECHO PARK AGAIN.
506
00:23:59,699 --> 00:24:00,917
HEATHER LYNDON.
507
00:24:01,004 --> 00:24:04,225
ALSO PINGED THIS NUMBER
TO A VACANT LOT.
508
00:24:04,312 --> 00:24:06,662
IN ECHO PARK.CENTER OF THE DOUGHNUT.
509
00:24:06,749 --> 00:24:08,751
THE NIGHT WAITS WAS ARRESTED
WITH A BODY IN HIS VAN --
510
00:24:08,838 --> 00:24:11,537
I DON'T THINK
HE WAS LOOKING TO DUMP THE BODY.
511
00:24:11,624 --> 00:24:13,452
I THINK
HE WAS TAKING IT HOME.
512
00:24:13,539 --> 00:24:17,107
WELL, WE GOT 22 MacLAREN BOYS
WHO FIT THE PROFILE,
513
00:24:17,194 --> 00:24:18,935
HAVE
THE A-C 1-0-2 DESIGNATION,
514
00:24:19,022 --> 00:24:21,068
AND HAVE SOME CONNECTION
TO ECHO PARK.
515
00:24:21,155 --> 00:24:25,638
THAT'S FIVE APIECE.
LET'S DIVVY 'EM UP.
516
00:24:34,908 --> 00:24:37,127
"MARK GILL -- MacLAREN,
'80 TO '82."
517
00:24:37,214 --> 00:24:39,565
THE GILL FAMILY
LIVED ON SCOTT AVENUE.
518
00:24:39,652 --> 00:24:41,480
LET'S START
WITH THIS ONE.
519
00:24:45,092 --> 00:24:46,963
HOLD ON.
520
00:24:47,050 --> 00:24:48,487
DAVID HARRIS --
521
00:24:48,574 --> 00:24:50,967
IN AND OUT
OF MacLAREN '79 TO '88,
522
00:24:51,054 --> 00:24:54,754
THREE YEARS IN FOSTER CARE --
IRENE AND HARLAN SAXON.
523
00:24:54,841 --> 00:24:56,799
4518 LEMOYNE.
524
00:24:56,886 --> 00:24:58,627
WE'LL TAKE THIS ONE.
525
00:25:01,064 --> 00:25:02,283
BYE-BYE.
526
00:25:02,370 --> 00:25:04,894
WHAT'S SO SPECIAL
ABOUT HARRIS?
527
00:25:04,981 --> 00:25:07,593
FRENCH CONNECTION --
REYNARD THE FOX...
YEAH.
528
00:25:07,680 --> 00:25:09,072
...THE CATACOMBS.
529
00:25:09,159 --> 00:25:10,770
FOSTER MOTHER,
IRENE SAXON --
530
00:25:10,857 --> 00:25:12,119
SHE WAS A FRENCH TEACHER.
531
00:25:14,687 --> 00:25:16,732
Edgar: OKAY.
532
00:25:16,819 --> 00:25:18,517
THANKS.
533
00:25:18,604 --> 00:25:19,909
[ BUTTON CLICKS ]
534
00:25:19,996 --> 00:25:23,522
THE FOSTER DAD, HARLAN SAXON,
IS DECEASED.
535
00:25:23,609 --> 00:25:25,524
KIZ PULLED
HIS DEATH CERTIFICATE.
536
00:25:25,611 --> 00:25:27,264
HE DIED
FROM MESOTHELIOMA.
537
00:25:27,351 --> 00:25:30,572
ASBESTOS.
WHAT WAITS SAID.
538
00:25:30,659 --> 00:25:32,835
OH, BUT HERE'S THE KICKER,
HARRY.
539
00:25:32,922 --> 00:25:35,534
DAVID HARRIS
FELL OFF THE GRID IN '93 --
540
00:25:35,621 --> 00:25:38,667
NO PUBLIC RECORD OF HIM
OF ANY KIND AFTER THAT.
541
00:25:38,754 --> 00:25:41,888
THEN A FEW MONTHS LATER,
IN '94...
542
00:25:41,975 --> 00:25:43,498
GUESS WHAT.
543
00:25:43,585 --> 00:25:44,891
RAYNARD WAITS APPEARS.
544
00:26:41,774 --> 00:26:44,690
[ BANGING ON DOOR ]
545
00:26:44,777 --> 00:26:46,779
MRS. SAXON, LAPD.
546
00:26:46,866 --> 00:26:48,694
[ BANGS ON DOOR ]
547
00:26:51,305 --> 00:26:53,220
LET'S TAKE
A LOOK AROUND.
548
00:26:55,657 --> 00:26:58,138
[ GAGS, COUGHS ]
549
00:26:58,225 --> 00:26:59,705
DEAD BODY.
550
00:26:59,792 --> 00:27:01,228
[ SNIFFS ]
NO SHIT.
551
00:27:01,315 --> 00:27:03,622
WAITS SAID
HIS MOTHER DIED.
552
00:27:34,914 --> 00:27:36,350
[ COUGHS ]
553
00:27:36,437 --> 00:27:38,178
DOOR RIGHT.
554
00:27:38,265 --> 00:27:41,094
Edgar: CLEAR.
555
00:27:41,181 --> 00:27:43,226
[ COUGHING ]
556
00:27:47,796 --> 00:27:48,928
[ CLEARS THROAT ]
557
00:27:49,015 --> 00:27:51,278
COFFEE MAKER'S WARM.
558
00:27:55,935 --> 00:27:57,284
[ SNIFFS ]
559
00:27:57,371 --> 00:27:59,112
[ GRUNTS ]
560
00:28:00,766 --> 00:28:01,854
CLEAR.
561
00:28:05,031 --> 00:28:08,643
[ GAGGING ]
CLOSED DOOR LEFT.
562
00:28:11,037 --> 00:28:12,865
[ COUGHING ]
563
00:28:12,952 --> 00:28:15,258
[ BOTH GAGGING, COUGHING ]
564
00:28:15,345 --> 00:28:17,391
JESUS!
OHH.
565
00:28:17,478 --> 00:28:21,264
[ FLIES BUZZING ]
566
00:28:21,351 --> 00:28:22,788
[ BOTH COUGHING ]
567
00:28:22,875 --> 00:28:24,659
[ GROANS ]
MNH-MNH.
568
00:28:32,275 --> 00:28:34,625
GARAGE.
569
00:29:02,088 --> 00:29:03,132
Bosch: CLEAR.
570
00:29:21,803 --> 00:29:23,239
CLEAR.
571
00:29:33,119 --> 00:29:35,861
LET'S GET BACKUP HERE,
TASK FORCE --
572
00:29:35,948 --> 00:29:38,428
TEAR THIS PLACE APART.
573
00:29:38,515 --> 00:29:40,779
[ RADIO BEEPS ]6-WILLIAM-22.
574
00:29:40,866 --> 00:29:43,782
I'M CODE 6 AT 45...[ STATIC ]
575
00:29:43,869 --> 00:29:46,088
SHIT. ROVER'S NO GOOD.
I'M GOING BACK TO THE CAR.
576
00:29:46,175 --> 00:29:47,307
DO IT.
577
00:30:01,887 --> 00:30:04,280
[ WATER RUNNING ]
578
00:30:38,532 --> 00:30:40,403
[ COUGHS ]
579
00:30:52,198 --> 00:30:53,460
[ COUGHS ]
580
00:31:35,415 --> 00:31:36,895
[ FLASHLIGHT CLICKS OFF ]
581
00:31:40,550 --> 00:31:41,856
DAVID?
582
00:31:45,599 --> 00:31:49,298
YOU BETTER BE ALONE --
FOR HER SAKE.
583
00:31:49,385 --> 00:31:50,865
I'M ALONE.
584
00:31:50,952 --> 00:31:52,301
PLEASE HELP ME!
585
00:31:52,388 --> 00:31:55,478
THIS IS BETWEEN YOU AND ME.
LET HER GO.
586
00:32:00,701 --> 00:32:02,398
YOU SAID YOU LIKED
TO LOOK PEOPLE IN THE EYES
587
00:32:02,485 --> 00:32:05,010
WHEN YOU TALK TO THEM.
588
00:32:05,097 --> 00:32:08,317
WHY DON'T YOU COME OUT HERE
AND LOOK INTO MINE?
589
00:32:08,404 --> 00:32:09,884
NO, YOU COME HERE.
590
00:32:24,507 --> 00:32:26,422
THERE YOU ARE.
591
00:32:26,509 --> 00:32:29,208
HERE I AM.
LET HER GO.
592
00:32:29,295 --> 00:32:32,211
YOU KNOW
THAT'S NOT GONNA HAPPEN, HARRY.
593
00:32:32,298 --> 00:32:34,039
WHY EVEN
BRING IT UP?
594
00:32:34,126 --> 00:32:36,606
PLEASE. PLEASE.
595
00:32:36,693 --> 00:32:38,652
SHH!
WE'RE TALKING.
596
00:32:38,739 --> 00:32:41,829
SO,
HOW DO YOU LIKE IT?
597
00:32:41,916 --> 00:32:44,658
YOUR MONUMENT?
598
00:32:44,745 --> 00:32:46,616
TOOK ME 20 YEARS.
PEOPLE SHOULD APPRECIATE IT.
599
00:32:46,703 --> 00:32:48,575
IS THAT WHAT YOU WANT, DAVID,
PEOPLE TO APPRECIATE YOU?
600
00:32:48,662 --> 00:32:51,708
DON'T TALK TO ME LIKE THAT...
LIKE A FUCKING SHRINK.
601
00:32:51,795 --> 00:32:55,495
CAN'T WE HAVE
A REAL CONVERSATION,
602
00:32:55,582 --> 00:32:57,018
HUH, FOR ONCE?
603
00:32:57,105 --> 00:32:59,238
SURE.
604
00:32:59,325 --> 00:33:01,240
PEOPLE NEED TO KNOW
MY STORY.
605
00:33:01,327 --> 00:33:02,589
[ WHIMPERS ]
606
00:33:02,676 --> 00:33:04,591
I MEAN SOMETHING.
DO YOU UNDERSTAND?
607
00:33:04,678 --> 00:33:07,376
Y-YOU KNOW
THE EXPRESSION, HARRY,
608
00:33:07,463 --> 00:33:10,249
"A PROPHET IS WITHOUT HONOR
IN HIS OWN COUNTRY"?
609
00:33:10,336 --> 00:33:11,467
YEAH, I'VE HEARD IT.
610
00:33:13,513 --> 00:33:16,603
[ MOANING ]
611
00:33:16,690 --> 00:33:19,171
WHAT WERE
YOUR FOSTER PARENTS LIKE, HARRY?
612
00:33:19,258 --> 00:33:21,782
HAD SEVERAL --
WASN'T CLOSE TO ANY OF THEM.
613
00:33:21,869 --> 00:33:23,262
[ MOANING INTENSIFIES ]
614
00:33:23,349 --> 00:33:25,481
THE SAXONS
WERE BEAUTIFUL PEOPLE.
615
00:33:25,568 --> 00:33:28,963
WHEN THEY TOOK ME IN, I THOUGHT
I WAS DONE WITH MacLAREN.
616
00:33:29,050 --> 00:33:31,226
WE HAD
SOME GOOD YEARS.
617
00:33:31,313 --> 00:33:35,796
AND THEN POP GOT SICK AND DIED,
AND THEY SENT ME BACK.
618
00:33:35,883 --> 00:33:37,841
YOU KNOW
ALL ABOUT THAT, HARRY.
619
00:33:37,928 --> 00:33:42,455
YOU KNOW ALL ABOUT THE DARKNESS,
DON'T YOU?
620
00:33:42,542 --> 00:33:44,065
I DO.
621
00:33:44,152 --> 00:33:46,198
I KNOW
ALL ABOUT THE DARKNESS.
622
00:33:55,076 --> 00:33:57,774
YOU KNOW, HARRY,
I ENVIED YOU AT MacLAREN.
623
00:33:57,861 --> 00:34:01,300
YOU WERE STRONG.
YOU COULD DEFEND YOURSELF.
624
00:34:01,387 --> 00:34:03,084
YOU DIDN'T TAKE SHIT
FROM ANYBODY.
625
00:34:03,171 --> 00:34:05,260
YOU DIDN'T LET ANYONE
TAKE ADVANTAGE OF YOU.
626
00:34:05,347 --> 00:34:08,437
[ SIRENS WAILING IN DISTANCE ]
627
00:34:08,524 --> 00:34:10,396
THEY'RE COMING.
628
00:34:11,701 --> 00:34:12,833
GOOD.
629
00:34:12,920 --> 00:34:14,139
[ WHIMPERING ]
630
00:34:14,226 --> 00:34:16,184
LET'S GET THIS
OVER WITH.
631
00:34:16,271 --> 00:34:18,621
[ Crying ]
NO! NO, PLEASE! OHH!
632
00:34:18,708 --> 00:34:21,668
HURTING HER ISN'T GONNA CHANGE
ANYTHING, DAVID.
633
00:34:21,755 --> 00:34:24,540
WHY ARE YOU SO FUCKING BLIND,
HARRY?
634
00:34:24,627 --> 00:34:26,499
I'VE TRIED SO HARD,
635
00:34:26,586 --> 00:34:29,154
SO FUCKING HARD,
TO GET THROUGH TO YOU.
636
00:34:33,723 --> 00:34:36,074
WHY CAN'T YOU SEE ME?
637
00:34:36,161 --> 00:34:38,206
I CAN SEE YOU.
638
00:34:38,293 --> 00:34:40,904
NO, YOU CAN'T.
YOU CAN'T.
639
00:34:40,991 --> 00:34:43,690
THEY MADE ME.
THEY MADE ME WHAT I AM.
640
00:34:43,777 --> 00:34:45,431
DO YOU UNDERSTAND?
641
00:34:45,518 --> 00:34:46,736
YOU GET IT?
642
00:34:46,823 --> 00:34:50,131
I'M THE MONUMENT --
ME, ME...
643
00:34:50,218 --> 00:34:51,219
AAH!...AND YOU.
644
00:34:51,306 --> 00:34:52,525
[ GUNSHOTS ]
645
00:34:53,700 --> 00:34:56,311
[ CRYING ]
646
00:34:57,878 --> 00:35:00,098
[ WAILING CONTINUES ]
647
00:35:00,185 --> 00:35:03,449
IT'S ALL RIGHT.
648
00:35:09,629 --> 00:35:12,893
[ HELICOPTER BLADES WHIRRING,
INDISTINCT CONVERSATIONS ]
649
00:35:12,980 --> 00:35:15,765
F.I.D.
NEEDS TO TALK TO YOU.
650
00:35:15,852 --> 00:35:16,853
RIGHT.
651
00:35:16,940 --> 00:35:18,812
JESUS.
652
00:35:18,899 --> 00:35:21,771
CANNOT IMAGINE
WHAT IT WAS LIKE TO BE THERE,
653
00:35:21,858 --> 00:35:23,773
YOU KNOW, WITH HIM.
YEAH.
654
00:35:23,860 --> 00:35:25,384
BUT HE'S STILL DEAD.
655
00:35:25,471 --> 00:35:28,909
HARRY, YOU DID GOOD.
656
00:35:32,042 --> 00:35:34,436
BOSCH.
657
00:35:34,523 --> 00:35:37,744
[ INDISTINCT CONVERSATIONS ]
658
00:35:43,053 --> 00:35:44,490
SIR.
659
00:35:44,577 --> 00:35:45,926
Reporter:
CAN YOU GIVE US A COMMENT?
660
00:35:46,013 --> 00:35:47,710
[ CAMERA SHUTTERS CLICKING ]THERE'S A HAPPY MAN.
661
00:35:47,797 --> 00:35:50,626
I'M SURE HE THINKS
THIS BUYS HIM A SECOND TERM.
662
00:35:50,713 --> 00:35:52,280
WE'LL SEE ABOUT THAT.
663
00:35:53,586 --> 00:35:56,502
EVENING, CHIEF.
664
00:35:56,589 --> 00:35:58,765
PROUD DAY
FOR THE DEPARTMENT.YES, INDEED.
665
00:35:58,852 --> 00:36:00,288
CONGRATULATIONS, IRV.
GOOD JOB.
666
00:36:00,375 --> 00:36:02,508
THANK YOU, SIR.LET'S HAVE A LOOK.
667
00:36:02,595 --> 00:36:04,858
[ DOOR CLOSES,
CAMERA SHUTTERS CLICKING ]
668
00:36:04,945 --> 00:36:06,512
YOU START WORKING
THE MEDIA.
669
00:36:06,599 --> 00:36:08,253
MAKE SURE THEY KNOW
THE LEAD THAT BROKE THIS CASE
670
00:36:08,340 --> 00:36:09,863
CAME OUT
OF THE TASK FORCE.
671
00:36:09,950 --> 00:36:11,212
BOSCH MIGHT BE THE HERO,
BUT WE BROKE THIS CASE.
672
00:36:11,299 --> 00:36:12,213
GOT THAT?
673
00:36:12,300 --> 00:36:13,606
YES, SIR.ALL RIGHT.
674
00:36:15,434 --> 00:36:17,697
CONGRATULATIONS.
YOU GOT YOUR MAN.
675
00:36:17,784 --> 00:36:19,525
GO TO HELL, GRACE.
676
00:36:19,612 --> 00:36:21,657
YOU THINK YOUR PAL HARRY BOSCH
IS OUT OF THE WOODS?
677
00:36:21,744 --> 00:36:23,181
HE ISN'T.
678
00:36:28,447 --> 00:36:30,318
ANYWAYS, I'D LIKE TO DO
A WALK-THROUGH OF THE SCENE
679
00:36:30,405 --> 00:36:31,624
BEFORE WE HEAD BACK
TO THE STATION.
680
00:36:31,711 --> 00:36:33,626
IS YOUR LEAGUE REP
HERE YET?
681
00:36:33,713 --> 00:36:35,497
I HAVEN'T SEEN HIM.
682
00:36:35,584 --> 00:36:37,238
WELL, AS SOON AS HE SHOWS,
WE'LL GET ON WITH THIS.
683
00:36:37,325 --> 00:36:38,718
YEAH, GOOD.
684
00:36:43,723 --> 00:36:47,901
[ Ringing ]
685
00:36:47,988 --> 00:36:50,208
[ Receiver clicks ]
686
00:36:50,295 --> 00:36:51,687
WE FOUND WAITS.
687
00:36:51,774 --> 00:36:54,342
ELEANOR:
He's dead, isn't he?
688
00:36:54,429 --> 00:36:57,258
YEAH.
I PUT HIM DOWN.
689
00:36:57,345 --> 00:36:58,912
And the woman?
690
00:36:58,999 --> 00:37:00,566
SAFE.
691
00:37:00,653 --> 00:37:03,003
Thank God.
692
00:37:06,441 --> 00:37:07,747
ELEANOR,
GIVE MADDIE A KISS FOR ME,
693
00:37:07,834 --> 00:37:10,706
TELL HER I LOVE HER,
WILL YOU?Sure.
694
00:37:26,374 --> 00:37:27,984
GOOD WORK, DETECTIVE.
695
00:37:28,071 --> 00:37:30,857
WHAT WAS THAT ABOUT?
696
00:37:33,120 --> 00:37:34,861
WAITS' GUN.
697
00:37:36,079 --> 00:37:37,777
YEAH?
698
00:37:37,864 --> 00:37:40,910
THERE WERE NO ROUNDS
IN THE WEAPON.
699
00:37:46,351 --> 00:37:49,571
SUICIDE BY COP...
700
00:37:49,658 --> 00:37:51,747
BY ME.
701
00:37:51,834 --> 00:37:53,793
WHAT DOES IT MATTER?
702
00:37:53,880 --> 00:37:56,317
HE'S GONE.
703
00:37:56,404 --> 00:38:00,408
YOU HAVE A LONG NIGHT
AHEAD OF YOU, DETECTIVE.
704
00:38:00,495 --> 00:38:01,888
I'LL LET YOU GO.
IGHT
AHEAD OF YOU, DETECTIVE.